Perdido: Jazz Ensemble Conductor Score & Parts

Mantooth's arrangement respects the elegance of the original while completely reimagining its rhythmic landscape, splitting the form between half-time funk and double-time swing to keep the ensemble engaged and energized. The written solos provide scaffolding for less experienced improvisers while the open-solo option allows your strongest players to take ownership of the changes.

The half-time funk A section sits in a grounded, almost heavy pocket that rewards precise ensemble playing, while the double-time bridge snaps the energy upward into lean, driving swing. The overall effect is a familiar tune that feels freshly discovered, bridging the gap between funk and jazz idioms with confidence.

Jazz ensembles with intermediate to advanced reading skills and at least one or two soloists comfortable with blues changes. This Grade 4 arrangement serves groups that want to stretch beyond traditional straight-ahead swing into contemporary grooves without sacrificing the classic standard's identity.

• Lock the groove on the A section by letting the rhythm section establish the half-time funk feel before the horns enter; the contrast between this pocket and the bridge's double-time swing will land much harder with this clarity.
• Prepare soloists to navigate the written changes smoothly, then coach anyone taking an open solo to use the ensemble's comping as their anchor rather than fighting against it.
• Balance the dynamic contrast between sections; the half-time A section can sit deeper and more grounded, while the bridge needs air and articulation to breathe at double time.
• Work the ensemble on punching the hits together, especially where the funk groove intersects with horns; sloppy entrance timing will undercut the groove immediately.

This works perfectly as a mid-set statement piece that showcases your ensemble's rhythmic flexibility and soloist talent. Pair it with a straight-ahead standard or a blues number to build a coherent set that demonstrates command across multiple grooves and styles.

• Executing half-time and double-time feels within a single arrangement
• Comping and responding to ensemble hits in funk and swing contexts
• Trading improvisation with written and open solo opportunities
• Articulation and balance in funk-influenced jazz writing