People Get Ready Cover Image

People Get Ready: Choral Octavo SoundTrax CD

$27.99 USD
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People Get Ready Cover Image

People Get Ready: Choral Octavo SoundTrax CD

Words and music by Curtis Mayfield / arr. Kirby Shaw

Item: 00-CDM02098

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 654979040859
SKU: 00-CDM02098

More about this title

About the Composer: Curtis Mayfield

Curtis Mayfield (1942-1999) was a singer, songwriter, and guitarist who became one of the most influential voices in soul and R&B music. His work transcended entertainment; his songs carried messages of social consciousness, hope, and resilience that resonated across generations and movements. Mayfield's ability to blend infectious melodies with profound lyrical content made him a rare artist whose music endured both as popular song and as cultural statement.

Why we love this

Kirby Shaw's arrangement captures the spiritual backbone of Mayfield's original while making it accessible for mixed ensembles of varying skill levels. The SoundTrax CD accompaniment frees your choir to focus on blend and interpretation rather than rhythmic precision, allowing singers to connect emotionally with a song that has earned its place in the repertoire through decades of meaningful performance.

What to expect

Hopeful and purposeful. The piece moves with forward momentum while maintaining a reflective, almost meditative quality in its harmonies. There's strength in the vocal writing without aggression; the song invites singers and listeners into a moment of quiet conviction.

Who it's for

Mixed choirs seeking repertoire with cultural significance and spiritual depth. This arrangement works for intermediate to advanced ensembles that can handle the emotional weight of the material and balance multiple vocal lines.

How to get the most out of it

  • Shape the melody with intentional phrasing rather than clipped syllables; this song demands breath space and lyrical line even in uptempo sections.
  • Balance the vocal lines carefully so that harmony parts support without overshadowing the primary melodic content.
  • Use the recorded accompaniment as a rhythmic anchor, but encourage singers to listen across the ensemble so the blend feels unified and not mechanically attached to the track.
  • Let the text drive dynamic choices; the message of the song should inform where you shape crescendos and diminuendos.

How to use it

This works powerfully as a closing number on programs centered on social justice, spirituality, or African American musical heritage. It also pairs well with other soul or R&B arrangements in a concert exploring the intersection of popular music and choral artistry.

Skills your students will build

  • Singing sustained melodic lines over rhythmic accompaniment
  • Balancing solo-driven arrangements with harmonic support
  • Connecting lyrical content to interpretive choices
  • Listening across ensemble parts while following a recorded track

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