Pennsylvania 6-5000 Cover Image

Pennsylvania 6-5000: Vocal Solo with Jazz Ensemble Conductor Score

$7.50 USD
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Pennsylvania 6-5000 Cover Image

Pennsylvania 6-5000: Vocal Solo with Jazz Ensemble Conductor Score

Transcr. Jeff Hest

Grade: 4 (Medium Advanced / Difficult)

Item: 00-TBS0035C

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Description
Belwin Jazz Presents Pennsylvania 6-5000, a level 4 jazz vocal series piece designed for high school and advanced junior high school band. Instrumentation includes 5 saxophones, 8 brass, and 4 rhythm parts. Solos are written out with chord changes, the rhythm section parts suggest chord voicings and rhythms and guitar chord frames are provided to help young guitarists.

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Additional Details
Series: Jazz Vocal Series
Publisher: Alfred Music
Page Count: 16
UPC: 029156934175
SKU: 00-TBS0035C

More about this title

About the Arranger: Jeff Hest

Jeff Hest

Jeff Hest built his reputation as a versatile arranger and composer across multiple domains: he has created music for hundreds of national advertising campaigns, produced and arranged over 40 jazz and pop albums, and provided musical direction and scoring for Broadway productions and films. His work in the New York City studio scene has brought him into regular collaboration with world-class musicians including Urbie Green, Eddie Daniels, Derek Smith, Milt Hinton, and Marvin Stamm.

Hest's contributions to music education and industry advancement earned him a doctoral equivalency from the City University of New York, where he serves as an assistant professor of music with a focus on the business side of music and music technology.

Why we love this

Hest's arrangement opens the door to authentic jazz repertoire for young ensembles without sacrificing the sophistication that keeps students engaged. The written solos, chord voicing suggestions, and guitar chord frames demonstrate real pedagogical care—he meets students where they are while holding them to genuine jazz standards.

What to expect

This is a classic swing number with character and energy—a piece that feels professional and genuine rather than pedagogical. The written solos give shape to the arrangement while the rhythm section voicings create that warm, grounded jazz harmony that makes the whole ensemble sound grown-up.

Who it's for

Advanced junior high and high school vocal soloists ready to sing in a jazz context, supported by a level 4 jazz ensemble with developed sight-reading skills. Directors programming jazz repertoire for mixed-ability groups will appreciate how the conductor score scaffolds parts for less experienced players while maintaining musical integrity.

How to get the most out of it

  • Work through the rhythm section voicing suggestions before the full ensemble rehearsal. When your pianist, guitarist, and bassist understand the harmonic language, the entire ensemble locks in faster.
  • Have your vocalist mark the chord changes and practice singing through them on their own before the first full run-through. This builds ownership of the harmonic progression.
  • Balance the written sax and brass solos so they feature clearly over the rhythm section but don't drown out the melody when the vocalist returns.
  • Use the provided guitar voicings to reinforce chord quality and voice leading—young guitarists often learn more from seeing exactly which notes to play than from abstract music theory.

How to use it

Feature this on a jazz concert or spring concert to showcase your ensemble's ability to accompany a solo voice at a mature level. It pairs well alongside instrumental jazz pieces and demonstrates a different skill set than your typical choral offerings.

Skills your students will build

  • Reading jazz chord changes and understanding harmonic progression
  • Singing with jazz phrasing and interpretation over a swinging ensemble
  • Interpreting written jazz solos and improvisation structures
  • Coordinating rhythm section voicings and entrances in a jazz context
  • Balancing solo voice with ensemble texture

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