Peace Like a River Cover Image

Peace Like a River: SATB Choral Octavo

$2.30 USD
Sale price  $2.30 USD Regular price 
Skip to product information
Peace Like a River Cover Image

Peace Like a River: SATB Choral Octavo

Traditional Spiritual / arr. Victor C. Johnson

Item: 00-51594

Need it now?

Buy Digital Version
$2.30
Shipped

One moment…

Description
This soulful adaptation of the familiar American spiritual overflows with joy! Opening with a powerful optional solo, Victor C. Johnson's syncopated setting gives every voice part a chance to shine. The full gospel harmonies, rousing key change, and rockin' piano part will raise the roof in school or at church!

Peace Like a River: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081590943
SKU: 00-51594

More about this title

About the Arranger: Victor C. Johnson

Victor C. Johnson

Victor C. Johnson brings deep roots in American choral music to his work as School Choral Editor for Sing!, the educational publishing division of Choristers Guild. Based in Dallas, Texas, he has developed an expansive catalog of over 500 choral works, vocal collections, and keyboard pieces now in widespread use.

Johnson's educational leadership spans decades. From 2000 to 2018, he served as choral director at Fort Worth Academy of Fine Arts, where he led the Academy Singers and Academy Men's Choir while directing both the Singing Girls of Texas and Children's Choir of Texas. Since August 2022, he has conducted the Dallas Symphony Children's Chorus Mixed Ensemble, the resident children's choir for the Dallas Symphony Orchestra. He maintains active membership in the American Choral Directors Association, American Guild of Organists, Texas Music Educators Association, National Association for Music Education, and several other professional organizations.

Why we love this

Johnson's arrangement refuses to play it safe with this spiritual. By layering syncopated rhythms, full gospel harmonies, and a key change that genuinely lands, he creates an arrangement that energizes every voice part rather than relegating singers to filler. The optional opening solo gives you flexibility for featuring a soloist or launching straight into ensemble sound, and the rockin' piano part transforms rehearsal into something your singers will actually want to show up for.

What to expect

The piece radiates warmth and exuberance from its opening moments. Gospel harmonies and syncopated rhythms create movement and forward momentum, while the key change propels you into a final section that feels both celebratory and grounded, leaving singers and listeners alike with a sense of joy and peace.

Who it's for

This arrangement suits choirs at the intermediate to advanced level who thrive on repertoire with rhythmic energy and contemporary gospel flavor. It works equally well in school concert settings, choral festivals, and church services where you want to connect with audiences through a beloved spiritual in a fresh, engaging way.

How to get the most out of it

  • Shape the optional solo with space and intention. Even if you use it, keep the accompaniment restrained so the soloist's words carry clearly into the hall.
  • Lock the syncopated rhythms in sections before bringing the full choir together. The syncopation only lands when it's precise, so isolate soprano and alto rhythms, then tenor and bass rhythms, before drilling them as a complete texture.
  • The key change works best when you've built genuine momentum beforehand. Resist the urge to slow down as you approach the modulation; keep the energy climbing so the new key feels like a lift, not a restart.
  • Use the recorded accompaniment during rehearsals to anchor rhythmic precision, but conduct the live pianist through at least one complete run-through before performance so they're responsive to your tempo choices in the moment.

How to use it

Program this alongside other spirituals to deepen a concert theme around peace, brotherhood, or American musical traditions, or use it as a standout centerpiece that showcases your singers' ability to handle syncopation and gospel style. It also serves as a strong contest or festival selection for choirs looking to balance accessibility with genuine musical sophistication.

Skills your students will build

  • Syncopated rhythm reading and execution across four parts
  • Gospel harmony voicing and voice leading within extended chords
  • Blend and balance in contemporary choral textures
  • Musicality in key changes and modulation
  • Collaborative ensemble singing with rhythmic precision

You May Also Like