Pavane Pour Une Infante Defunte (Pavanne for a Dead Princess) Cover Image

Pavane Pour Une Infante Defunte (Pavanne for a Dead Princess): Concert Band Conductor Score

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Pavane Pour Une Infante Defunte (Pavanne for a Dead Princess) Cover Image

Pavane Pour Une Infante Defunte (Pavanne for a Dead Princess): Concert Band Conductor Score

By Maurice Ravel / arr. Jerry Brubaker

Grade: 3 (Medium Easy)

Item: 00-24764S

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Description
Maurice Ravel was only 24 when his piano solo "Pavane Pour une Infante Defunte," which translated means Pavane for a dead princess, became the rage of the drawing rooms and salons of Paris in 1899, but the work already held the unmistakable stamp of his style. Ravel orchestrated the work in 1910. Jerry Brubaker presents this lovely work in a Concert band setting with all of the lush melodies and harmonies of the original work but with simplified ranges and a comfortable key. A marvelous choice for a truly beautiful piece of impressionistic literature!

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081277288
SKU: 00-24764S

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) stands as one of the twentieth century's most influential composers, alongside Debussy, in defining the sound of musical impressionism. His gift lay not in rejecting traditional forms but in dissolving their boundaries through orchestral color, harmonic ambiguity, and meticulous attention to timbre. Ravel's music demands technical precision from performers while inviting them into worlds of gossamer texture and dreamy sophistication.

Ravel was a master of orchestration whose arrangements of his own works often surpass the originals in their impact. His 1910 orchestration of Pavane Pour une Infante Defunte transformed a salon piano piece into a work of symphonic scope, proving that impressionistic music could command large forces without losing its essential delicacy. His influence on how we think about color and restraint in orchestral writing remains vital for any musician studying twentieth-century composition.

Why we love this

This arrangement captures everything that made Ravel's original a sensation without asking your band to navigate extreme ranges or awkward keys. Jerry Brubaker's scoring preserves the harmonic sophistication and lush voicings that define Ravel's sound while keeping Grade 3 students engaged in genuinely beautiful, concert-worthy literature. It's the kind of piece that reminds musicians why they chose to play.

What to expect

Ravel's pavane unfolds like a procession glimpsed through silk curtains, ornate yet melancholic, formal yet deeply expressive. The harmonies shimmer with unexpected warmth, and the gentle architecture of the piece invites listeners into a world of quiet reverence and subtle emotional depth. There is nobility here, but nobility stripped of pomp, replaced instead with genuine human tenderness.

Who it's for

Concert bands at the Grade 3 level and advancing middle school or beginning high school ensembles ready for music that balances accessibility with genuine artistry. This arrangement works equally well for musicians seeking a chamber-like refinement or directors programming pieces that develop sensitivity to impressionistic color and restraint.

How to get the most out of it

  • Shape the opening melody with a warm, singing tone in the flute and oboe; resist the urge to rush, letting the harmonic progression breathe beneath the line
  • Balance the sustaining voices with the principal melodic line so that harmonies remain distinct rather than blurring into a wash of sound
  • Pay close attention to dynamics and their subtle shifts; Ravel's impressionism lives in the gradual swell and fade, not sudden changes
  • Use the conductor score to locate and emphasize the key harmonic moments where the piece pivots, helping the ensemble sense the architecture beneath the serene surface

How to use it

Program this as a bridge between traditional and twentieth-century repertoire, or pair it with other impressionistic works to explore how composers approached color and restraint. Its elegant character makes it suitable for concert closers or as a centerpiece in a program that celebrates artistic refinement, and its manageable length fits naturally alongside larger ensemble pieces.

Skills your students will build

  • Sustaining long tones with steady support and awareness of harmonic function
  • Balancing principal melodies with sustained harmonic accompaniment
  • Interpreting impressionistic harmony and phrasing beyond literal markings on the page
  • Responding to subtle dynamic shaping and directional phrasing
  • Ensemble listening in textures where multiple voice parts carry equal musical weight

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