Pavane Cover Image

Pavane: Concert Band, Conductor Score & Parts

$38.00 USD
Sale price  $38.00 USD Regular price 
Skip to product information
Pavane Cover Image

Pavane: Concert Band, Conductor Score & Parts

By Maurice Ravel, ed./arr. by Lawrence Fogelber

Item: 36-B358902

$38.00
Shipped

One moment…

Description
Originally written in 1899 by Maurice Ravel (1875-1937) for solo piano, and later orchestrated by the composer, PAVANE POUR UNE INFANTE DÉFUNTE (PAVANE FOR A DEAD PRINCESS) remains one of the enduringly popular of Ravel's works, though the title can be a curiosity for many. Ravel said of the work, "Do not attach any importance to the title. I chose it only for its euphonious qualities. Do not dramatize it. It is not a funeral lament for a dead child, but rather an evocation of the pavane [a stately, 16th-century Spanish court dance] which could have been danced by such a little princess as painted by Velázquez." This arrangement for concert band has been completed by Lawrence Fogelberg.

Pavane: Concert Band, Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 659359885068
SKU: 36-B358902
Instrumentation: Concert Band

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) shaped early twentieth-century music through his fascination with color, texture, and orchestral sonority. A master of instrumental timbre, he composed works that prize delicate detail and architectural precision over Romantic grandeur, influencing generations of composers and orchestrators who followed. His piano works frequently became orchestral statements through his own arrangements, demonstrating his deep understanding of instrumental writing across ensembles.

Ravel's approach to composition emphasized craftsmanship and intentionality. He resisted autobiographical interpretation of his titles and instead focused on musical structure and the emotional character of sound itself. This philosophy shaped how musicians encounter his works: as carefully constructed sound experiences rather than narrative statements.

Why we love this

Fogelberg's band arrangement preserves the essential character of Ravel's original while giving each section of the ensemble genuine musical responsibility rather than filler parts. Programming this piece signals to your audience and students that concert band literature reaches beyond march-and-hymn conventions into genuine art music, and the moderate difficulty makes it achievable for solid high school and college ensembles without compromising the composer's intent.

What to expect

Graceful and measured, like watching a formal court procession move through candlelit halls. The piece breathes with deliberate dignity and never rushes; its beauty lies in refined simplicity and the careful orchestration of quiet moments. There is melancholy beneath the surface, but Ravel invites contemplation rather than drama.

Who it's for

Concert bands preparing accessible yet substantial repertoire for regional or state festivals, or ensembles wanting to broaden their musical identity beyond traditional wind band fare. Directors seeking a piece that challenges students' sensitivity to tone color, balance, and architectural phrasing without technical obstacles will find this arrangement serves both purposes well.

How to get the most out of it

  • Establish the stately, processional quality of the pavane before rehearsing tempo markings. The character depends on deliberate pacing and aristocratic restraint rather than lyrical warmth.
  • Balance transparency across the woodwind sections where Ravel's original orchestration calls for layered timbral colors. Clarity of individual lines matters more than blend.
  • Shape the climactic swells with gradual dynamic control and secure ensemble rhythm; the piece's power comes from collective restraint released gradually, not sudden volume changes.
  • Attend to articulation consistency within each section, particularly in sustained passages where uniform tonguing and breath support create the floating quality Ravel intended.

How to use it

This works beautifully as an opening or closing number on a concert featuring contrasting twentieth-century or contemporary works, where its restraint and elegance provide welcome pacing. It also pairs naturally with other Ravel orchestrations or with impressionistic repertoire, allowing you to build a thematic program around color and texture in modern classical music.

Skills your students will build

  • Balancing transparency in multi-layered woodwind writing
  • Controlling slow-tempo ensemble rhythm without dragging
  • Shaping long phrases with minimal dynamic markings
  • Listening for layered orchestral color and timbral distinction
  • Executing stately character work without melodrama

You May Also Like