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Pavane: Concert Band Conductor Score

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Pavane: Concert Band Conductor Score

(Pour Une Infante Défunte)

By Maurice Ravel / arr. Michael Story

Grade: 1 (Very Easy)

Item: 00-43071S

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Description
Originally scored for piano, this work premiered in 1911 and one of Maurice Ravel's most popular and timeless works. This setting offers your very young ensemble a wonderful instructional opportunity to perform in an expressive, lyrical style. (2:15)

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081504346
SKU: 00-43071S

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) was a French composer whose harmonic innovations and orchestral mastery defined early twentieth-century classical music. His works balance mathematical precision with sensuous sound, creating pieces that seem effortless yet demand meticulous craftsmanship from performers.

Ravel's Pavane for a Dead Princess (1910) and its later orchestrations became staples of concert repertoire worldwide. His influence extends across genres; his approach to texture, color, and restraint shaped how composers and arrangers think about instrumental writing for generations.

Why we love this

Michael Story's arrangement preserves the elegance and harmonic language that make this work so enduring, while calibrating the texture and range for young musicians just developing ensemble balance and intonation control. A Grade 1 piece that doesn't sacrifice musical substance allows your players to experience real artistry early, building their sense of what mature music-making can sound like.

What to expect

Elegant and unhurried, like watching candlelight flicker across a room. The harmonic colors shimmer beneath a calm, aristocratic melody; there is no rush, no drama, only a sustained quiet beauty that invites listeners into a moment of reflection.

Who it's for

Directors working with very young concert bands who want to introduce students to serious repertoire without overwhelming them technically. This Grade 1 setting serves ensembles still building fundamental skills in tone production, rhythm reading, and blending while performing a work that will genuinely move audiences.

How to get the most out of it

  • Conduct in a gentle two. A flowing pulse at this tempo creates the sense of sustained line that defines the piece, even when individual sections have shorter note values.
  • Shape each phrase with warm, continuous breath support from the ensemble. This is an ideal teaching vehicle for explaining that legato playing and musical phrasing begin before the first note sounds.
  • Balance the melodic line clearly against the accompanimental voices without forcing dynamics. The whole ensemble must listen as though one instrument is singing while others provide a rich harmonic cushion.
  • Take time to align entrances and releases with the conductor's gesture. The piece's expressive power rests on the group moving as a single musical body.

How to use it

Position this as a concert opener to establish mood and focus audience attention, or pair it with contrasting contemporary works to show your ensemble's range. It also serves well as a contest selection at festivals where expressive control and ensemble balance are valued over technical display.

Skills your students will build

  • Sustaining legato phrasing across phrase boundaries
  • Balancing accompanying voices with a prominent melodic line
  • Ensemble listening and intonation adjustment in harmonic contexts
  • Responding to subtle conducting gestures for releases and dynamic nuance
  • Understanding how slow tempos require active breath and pulse awareness

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