Pavana Antiqua Cover Image

Pavana Antiqua: Brass Quintet Score & Parts

$15.00 USD
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Pavana Antiqua Cover Image

Pavana Antiqua: Brass Quintet Score & Parts

By Jeff Smallman / arr. David Marlatt

Level: Easy-Medium

Item: 81-BQ2184

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Description
A pavane was a slow dance form the 16th and 17th century. The talented composer Jeff Smallman has taken this Baroque form and created a very colourful piece that features high, mid and low voices allowing all players to have interesting part.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001453
SKU: 81-BQ2184
Instrumentation: Brass Quintet

More about this title

Why we love this

Smallman respects the pavane as a form without getting trapped by it. The piece breathes with genuine melodic interest across all five voices rather than isolating the tune at the top, which means your lead cornet player isn't carrying the whole weight and your low brass actually have something worth playing. For a quintet looking to program something contest-ready that won't demand virtuosic technique, this sits exactly right.

What to expect

Dignified and stately, with the measured grace of a ceremonial dance. The writing allows space to breathe between phrases, creating moments of quiet reflection alongside passages where all five voices move together in rich harmonic color.

Who it's for

Brass quintets working at an intermediate level who want accessible repertoire with substance. This piece demands clean intonation and stylistic awareness without requiring extreme technical difficulty, making it ideal for school ensembles or community groups preparing for festivals.

How to get the most out of it

  • Shape the phrases around the natural pulse of the pavane rather than rushing through harmonic changes. The style asks for deliberate phrasing, which also gives less experienced players space to lock in together.
  • Balance the inner voices carefully in rehearsal. Since the melody travels between registers, make sure no one player dominates when they're carrying the tune; let the line sing through naturally.
  • Mark articulation consistently across all parts before the first full run-through. Small differences in tonguing between players will cloud the ensemble sound more noticeably in this slower tempo.

How to use it

Program this in a recital or festival performance where you want to highlight the quintet's ability to blend and balance across a full range of registers. It pairs naturally with either contemporary brass works or other Renaissance or Baroque adaptations, offering programmers a bridge between periods.

Skills your students will build

  • Balancing part independence across multiple voice registers
  • Shaping longer phrases with deliberate tempo control
  • Matching tone quality and articulation across the ensemble
  • Reading and interpreting period style conventions in modern arrangements

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