Patterns in Spanish: Patrones para Mantener el Tiempo (Time Functioning Patterns) Cover Image

Patterns in Spanish: Patrones para Mantener el Tiempo (Time Functioning Patterns): Drumset Book & CD

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Patterns in Spanish: Patrones para Mantener el Tiempo (Time Functioning Patterns) Cover Image

Patterns in Spanish: Patrones para Mantener el Tiempo (Time Functioning Patterns): Drumset Book & CD

By Gary Chaffee, translated by Jose Manuel Mena Cuevas

Item: 00-28206

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Description
Patterns is one of the most comprehensive drum methods available. Covering a wide range of materials, the books can be used in any order, or in any combination with one another. They are a must for developing the kinds of skills necessary for drumset performance.

Time-Functioning Patterns includes materials dealing with rock cymbal ostinatos, jazz independence, and the new linear phrasing concept that Gary developed.

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Additional Details
Series: Patterns
Publisher: Alfred Music
Page Count: 52
ISBN10: 0-7390-4789-2
ISBN13: 978-0-7390-4789-7
UPC: 038081307978
SKU: 00-28206

More about this title

About the Author: Gary Chaffee

Gary Chaffee stands among the most influential drum educators of the past fifty years. His systematic approach to drumset technique and independence has shaped generations of drummers across jazz, rock, and Latin styles. Chaffee's pedagogical philosophy emphasizes understanding underlying patterns rather than memorizing licks, a principle that runs through all his published methods.

His work with Jose Manuel Mena Cuevas on the Spanish-language edition of Patterns reflects his commitment to making comprehensive drum education accessible across language and cultural contexts. The Patterns series remains a cornerstone resource in professional drum curricula worldwide.

Why we love this

This drumset method combines Chaffee's proven pedagogical framework with specific attention to Latin time feels and the linear phrasing concept that distinguishes his approach from other comprehensive methods. The Spanish-language edition opens this sophisticated material to a wider student population while maintaining the depth that makes Patterns essential for serious drummers. You'll find material here that addresses the gap between basic drumset independence and the rhythmic complexity required for jazz and Latin ensemble playing.

What to expect

The material demands focused attention and builds gradually through repetition and variation. Playing along with the CD recordings creates a visceral sense of locking in with a rhythm section, reinforcing the independence concepts on the page.

Who it's for

This method serves drumset students who have moved beyond basic coordination and are ready to tackle the independence required for jazz, rock, and Latin performance. It works equally well for self-directed practice and as a text in private study or ensemble contexts.

How to get the most out of it

  • Study the rock cymbal ostinatos slowly and without the accompanying CD until the patterns sit completely in your hands and feet independently. Only then layer in the recorded timekeeper to verify your accuracy.
  • Isolate individual stickings from the linear phrasing sections and play them across the drumset before adding the full pattern; this builds the hand-to-foot coordination the method is designed to develop.
  • Use the CD to lock into different grooves at half-time before playing along at full tempo. This reveals where your independence breaks down and where you need more focused work.

How to use it

Assign sections of this method as technique foundations in private drumset lessons or jazz ensemble curricula. The 52-page scope allows you to work through focused modules over several weeks, addressing specific independence and Latin feel challenges as they arise in your ensemble repertoire.

Skills your students will build

  • Rock cymbal ostinatos with independent bass drum and snare patterns
  • Jazz ride cymbal comping and bass drum independence
  • Linear phrasing across the drumset
  • Latin and Spanish clave-based time feels
  • Coordination between all four limbs in non-traditional sticking patterns

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