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Pathways to Artistry: Masterworks, Book 2: Piano Book

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Pathways to Artistry: Masterworks, Book 2 Cover Image

Pathways to Artistry: Masterworks, Book 2: Piano Book

A Method for Comprehensive Technical and Musical Development

Ed. Catherine Rollin

Level: Late Elementary / Early Intermediate

Item: 00-32149

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Description
The 21 pieces in this collection represent some of the best miniature masterworks in piano literature. These pieces were carefully selected not only for their overall quality and musicality, but because they advance very logically from the five-finger position pieces that preceded them in Pathways to Artistry: Masterworks, Book 1. For maximum benefit, students should work through the skills that are comprehensively presented in Pathways to Artistry: Technique, Book 2. Titles: Alpine Dance (Heinrich Wohlfahrt) * Bourée (Felix Le Couppey) * The Cuckoo (Eduard Horák) * English Gigue (Samuel Arnold) * Etude in A Minor (Ludvig Schytte) * Hopak (Alexander Goedicke) * The King's Fanfare (William Duncombe) * Little Scherzo (Ludvig Schytte) * A Lovely Day (Daniel Gottlob Türk) * Melodic Etude, Op. 108, No. 12 (Ludvig Schytte) * Minuet in F Major, K. 2 (Wolfgang Amadeus Mozart) * Playful Dances (Jacob Schmitt) * A Pleasant Morning (Jean Louis Streabbog) * Quadrille (Franz Joseph Haydn) * Rain (Nicolai Lyubarski) * Royal Trumpet March (Jeremiah Clarke) * The Shepherd's Song (Nicolai Lyubarski) * Sonatina in C Major (William Duncombe) * Song from For Children (Béla Bartók) * Song without Words (Louis Köhler) * Trio (Anton Diabelli).

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Additional Details
Series: Pathways to Artistry
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-5896-7
ISBN13: 978-0-7390-5896-1
UPC: 038081352350
SKU: 00-32149

More about this title

Why we love this

This collection moves beyond single-composer anthologies by curating 21 pieces that each stand alone as genuine musical statements. The progression is deliberate and transparent; students encounter new technical and musical challenges at a pace that feels earned rather than imposed, making this ideal for teachers who want their students to experience the full arc of how technique becomes artistry.

What to expect

Opening this book feels like stepping into a gallery of musical miniatures, each framed with care. The pieces shift between playful character sketches (Alpine Dance, Playful Dances), lyrical moments (A Lovely Day, The Shepherd's Song), and structured forms (Sonatina, Minuet), creating a recital-ready collection that never feels like an exercise book.

Who it's for

Piano students at the late elementary through early intermediate stage who are ready to move beyond five-finger patterns and explore genuine repertoire. This book works for private studio teachers seeking carefully vetted pieces that develop technique while honoring musical integrity, and for students preparing for recitals or competitions where variety and quality matter.

How to get the most out of it

  • Treat each piece as a complete work with its own character and formal structure. Even short pieces like Le Couppey's Bourée and Diabelli's Trio benefit from attention to phrasing and architecture, not just note-reading.
  • Use the études and etudes (Schytte's two contributions, Horák's Cuckoo) as technical stepping stones rather than separate drill work. They build specific hand positions and passage work that the surrounding character pieces then employ musically.
  • Explore the dance forms (Gigue, Hopak, Minuet, Quadrille) by listening to period-authentic recordings or historically-informed performances. Understanding the dance rhythm and style deepens interpretation beyond tempo markings.
  • Pair the Mozart and Haydn pieces with chamber music or orchestral excerpts from the same composers. Recognizing classical syntax and phrasing patterns across genres strengthens overall musicianship.

How to use it

Program contrasting pieces from this collection across a full student recital to showcase range and progress. Alternatively, pair individual pieces with corresponding technique work from Pathways to Artistry: Technique, Book 2 to create a cohesive four-to-six-week unit where students understand why they're building specific skills before applying them.

Skills your students will build

  • Reading beyond five-finger positions and navigating hand expansions
  • Recognizing and interpreting classical forms (minuet, gigue, sonatina, quadrille)
  • Balancing technique and musicality in character pieces
  • Understanding dance rhythms and their stylistic implications
  • Building keyboard confidence through repertoire spanning multiple composers and periods
  • Developing phrasing and structural awareness in short-form works

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