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Passamezzo Antico: Brass Quintet Score & Parts

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Passamezzo Antico Cover Image

Passamezzo Antico: Brass Quintet Score & Parts

By Elias Nikolaus Ammerbach / arr. Carmen J. Gassi

Level: Medium

Item: 81-BQ11355

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Description
Elias Nikolaus Ammerbach was a German organist and arranger of organ music of the Renaissance. The Passamezzo Antico refers to a chord progression that was popular during the Renaissance and is still in use today. Your brass quintet will enjoy this moderately challenging but very approachable interpretation of a set of dances originally written for the Renaissance organ.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 20
ISBN10: 1-55473-695-1
ISBN13: 978-1-55473-695-9
UPC: 685462016969
SKU: 81-BQ11355
Instrumentation: Brass Quintet

More about this title

About the Composer: Elias Nikolaus Ammerbach

Elias Nikolaus Ammerbach (c. 1530, 1597) was a German organist and one of the Renaissance's most significant arrangers of keyboard music. Working in Dresden, he published two major collections of organ tablature that preserved and transformed existing vocal and instrumental works for the keyboard, making him a crucial bridge between Renaissance compositional practice and the organ literature that would follow.

Why we love this

Carmen J. Gassi's arrangement transforms Ammerbach's keyboard dances into idiomatic brass writing that sits beautifully in the quintet's range without losing the harmonic sophistication of the original Passamezzo Antico progression. The moderate difficulty level makes this accessible to developing ensembles while the Renaissance harmonic language and dance rhythms keep the music genuinely interesting for more experienced players.

What to expect

These dances carry the contrapuntal grace and harmonic movement of Renaissance keyboard music, but wrapped in the warm sonority and projection of brass. The repeating Passamezzo Antico progression creates a sense of forward momentum, with each dance variation feeling both fresh and inevitable.

Who it's for

Medium-level brass quintets looking to add Renaissance repertoire to their library without requiring specialized historical performance training. Festival and contest programs that value distinctive programming beyond standard contemporary works.

How to get the most out of it

  • Shape each phrase around the underlying Passamezzo Antico progression rather than treating measures as isolated units; this harmonic awareness will unify the ensemble's phrasing across sections.
  • Balance the inner voices carefully in the quintet texture. Renaissance counterpoint thrives when every line has presence, so resist the tendency to let the first trumpet dominate the harmonic movement.
  • Approach articulation as a tool for rhythmic clarity and character rather than uniform separation; varied tongue strokes reflect the dance traditions these pieces emerged from.
  • Lean into the natural rubato of Renaissance dance music. The notation doesn't demand mechanical precision, and small tempo flexibility in ornamented passages brings authenticity to the style.

How to use it

Pair this with other Renaissance-era arrangements or contemporary works that explore historical harmony to create a thematic program arc. The moderate difficulty and contest-ready presentation make it ideal for mid-season rehearsal focus before a spring festival appearance.

Skills your students will build

  • Phrasing within repeating harmonic progressions
  • Balancing independent lines in Renaissance counterpoint
  • Articulation choices appropriate to dance styles
  • Intonation adjustments for Renaissance harmonic movement
  • Historical style awareness and period-appropriate interpretation

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