Paso Flamenco: Concert Band Conductor Score

$10.00 USD

Paso Flamenco: Concert Band Conductor Score

Name: Paso Flamenco: Concert Band Conductor Score
Brand: Alfred Music
SKU: 00-29560S
Price: 10.00 USD
Availability: InStock

By Victor López

Grade: 1 (Very Easy)

Item: 00-29560S

$10.00

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A vigorous combination of the Paso Doble and the Flamenco, "Paso Flamenco" has an intense modal quality that's a snap to rehearse. The distinct percussive sounds are joined with the charismatic melody. Great opportunities for exploring rhythmic accuracy in a very musical work. A real attention-getter! (2:00) This title is available in MakeMusic Cloud.

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Series: Belwin Beginning Band

Publisher: Alfred Music

Page Count: 16

UPC: 038081323091

SKU: 00-29560S

More about this title

About the Composer: Victor López

Victor López is a prolific composer and arranger whose work spans concert band, jazz, and educational music. His output for beginning and intermediate bands has made him a fixture in music education, known for writing pieces that balance accessibility with genuine musical content. López understands what student musicians need to play at their best: clear parts, compelling melodies, and rhythmic frameworks that challenge without overwhelming.

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Why we love this

This piece delivers exactly what Grade 1 bands need: a work with real character and percussive personality that doesn't require technical wizardry to sound impressive. The Paso Doble and Flamenco fusion gives you a concert opener or closer with built-in energy, and the modal writing keeps things fresh without introducing harmonic confusion. Your students will feel like they're performing something with genuine flair.

What to expect

Spanish dance energy filtered through a Grade 1 lens. The piece pulses with the percussive urgency of flamenco paired with the structured swagger of the Paso Doble, creating something that sounds far more sophisticated than the technical demands suggest. You get vibrant color without complexity.

Who it's for

Beginning concert bands looking for a showpiece that respects their developing skills. This works perfectly for groups just building confidence with rhythmic accuracy and ensemble cohesion, as well as for students encountering modal harmonic language for the first time.

How to get the most out of it

Lock in the rhythmic precision first. The percussive character depends entirely on tight articulation and consistent rhythmic placement across the ensemble. Isolate the rhythm sections (brass and woodwinds separately) before combining them.
Highlight the distinct percussion voices. The written percussion parts are structural here, not decorative. Make sure timpani, snare drum, and Latin percussion sit clearly in the mix without drowning out the melody.
Shape the modal melody with consistent phrasing. The intensity comes from rhythmic drive, not from pushing volume. Keep the line singing even at a brisk tempo.

How to use it

Open a concert with this to grab immediate attention, or use it as a contrasting piece mid-program to shift energy and mood. The two-minute length makes it ideal for festival performances or as a standalone showpiece when you need something that leaves an impression without consuming rehearsal time.