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Paraphrase on Hail the Conquering Hero: Concert Band Conductor Score

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Paraphrase on Hail the Conquering Hero Cover Image

Paraphrase on Hail the Conquering Hero: Concert Band Conductor Score

For Concert Band

By Felix Alexandre Guilmant / arr. David Marlatt

Item: 81-CB225505S

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Description
Originally called Paraphrase on a Chorus from Judas Maccabaeus, this transcription from organ to winds and percussion is a natural one. The full band sonority is very organ-like and the entire ensemble has various moments to shine.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
SKU: 81-CB225505S

More about this title

About the Composer: Felix Alexandre Guilmant

Felix Alexandre Guilmant (1837-1911) was a French organist and composer who dominated the concert organ world of the late 19th century. His work as organist at the Trocadéro Palace in Paris and his prolific output of organ compositions made him one of the most celebrated keyboard musicians of his era.

Guilmant's music bridged Romantic expression with solid craftsmanship, earning him respect from both audiences and fellow musicians. His compositions remain staples of organ repertoire, and transcriptions of his works reveal why his harmonic language and structural clarity translate so effectively across instrumental combinations.

Why we love this

David Marlatt's orchestration captures the architectural grandeur of the original organ work while capitalizing on what winds and percussion do best. The full ensemble sonority genuinely evokes the organ's range and power, and the piece distributes compelling moments throughout the band so every section feels invested in the performance.

What to expect

Triumphant and ceremonial, this paraphrase inhabits the grand, processional world of Handel's original chorus. The full band sonority swells with organ-like dignity, and passages of intricate harmonic writing create moments of quiet reverence that contrast beautifully with the piece's climactic assertions.

Who it's for

Concert bands preparing repertoire for regional or state festivals will find this piece both musically substantive and immediately engaging. The work suits intermediate to advanced ensembles that have achieved solid intonation and sectional balance.

How to get the most out of it

  • Balance the harmonic foundation carefully during passages where multiple voice parts carry thematic material simultaneously; the organ's natural blending can obscure individual lines if the band isn't listening critically.
  • Shape the dynamic arc across entire sections rather than phrase by phrase; Guilmant's harmonic language rewards sweeping, sustained musical gestures.
  • Let the percussion anchor the ensemble's rhythmic integrity without overweighting the texture; support rather than dominate, especially in transitional passages.

How to use it

Pair this with other transcribed organ works or works that celebrate ensemble sonority as a primary musical resource. It sits comfortably in a contest program or concert celebrating Romantic-era instrumental music, and its moderate length allows it to anchor a set without overshadowing lighter fare.

Skills your students will build

  • Maintaining consistent intonation across sustained harmonic textures
  • Balancing independent melodic lines within a full ensemble sound
  • Responding to large-scale dynamic architecture rather than local phrase markings
  • Supporting harmonic context while preserving individual voice clarity

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