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Paradox: Concert Band Conductor Score & Parts

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Paradox: Concert Band Conductor Score & Parts

By Michael Story

Grade: 2 (Easy)

Item: 00-24738

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Description
"Paradox" derives its name primarily as a reference to the Tritone Paradox. When pairs of electronically synthesized pitches a half-octave, or tritone apart were played consecutively, some listeners hear an ascending pattern while others hear a descending one. Paradox explores the interval of the tritone, both melodically and harmonically. Created by Michael Story, this contemporary musical puzzle will be well received by performers and audiences alike. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Paradox: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 126
UPC: 038081277127
SKU: 00-24738

More about this title

About the Composer: Michael Story

Michael Story is a prolific composer of concert band music who has earned recognition for writing accessible yet musically substantial works for young and developing ensembles. His output spans educational settings at all levels, with particular strength in creating pieces that balance technical clarity with genuine artistic content.

Why we love this

Story grounds this piece in a genuine acoustic phenomenon rather than abstract cleverness, giving students something real to listen for and understand. The tritone exploration works both as a teaching tool and as compelling concert music, making it equally effective for contest or concert performance.

What to expect

Paradox creates an intriguing sense of restless motion, neither quite ascending nor descending in the way listeners might expect. The tritone intervals lend an unsettled, modern character that feels distinctly contemporary while remaining approachable for developing musicians.

Who it's for

This piece works well for Grade 2 concert bands looking to program something contemporary and intellectually engaging without sacrificing accessibility. It appeals to ensembles interested in contest play, concert performance, or both, and rewards students who are ready to think musically about intervallic relationships.

How to get the most out of it

  • Listen carefully to how the tritone interval appears in each section; some students may naturally hear it differently than others, which mirrors the piece's central concept and makes for rich discussion during rehearsals.
  • Balance the harmonic writing so that the tritone relationships register clearly without muddying the overall sonority; this requires attention to voicing across the full band.
  • Bring out thematic material as it cycles through different instrumental families, since the melodic and harmonic exploration of the tritone becomes more audible when each voice has its moment in the texture.

How to use it

Program this as a centerpiece for a contemporary music segment on your concert, pairing it with familiar works to highlight how modern composers reimagine classical concepts. It also serves well as a contest selection that demonstrates your band's willingness to engage with challenging, thought-provoking repertoire at an appropriate level.

Skills your students will build

  • Recognition and performance of tritone intervals
  • Reading contemporary concert band textures
  • Ensemble balance and voice independence in harmonic writing
  • Understanding programmatic music tied to acoustic principles

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