Panis Angelicus Cover Image

Panis Angelicus: 2 Trumpets & Keyboard Part(s)

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Panis Angelicus Cover Image

Panis Angelicus: 2 Trumpets & Keyboard Part(s)

By César Franck / arr. David Marlatt

Level: Easy-Medium

Item: 81-TE23105

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Description
This very popular solo was made famous by such vocalists as Kiri Te Kanawa. The elegant and simple melodic line lends itself very well to any instrument or voice type. This duet for 2 trumpets and keyboard has the famous melody passing back and forth between the trumpets while the organ or piano supports the tune with melodic and rhythmic accompaniment.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462009374
SKU: 81-TE23105
Instrumentation: 2 Trumpets & Keyboard

More about this title

About the Composer: César Franck

César Franck (1822–1890) was a Belgian-born composer and organist who spent most of his career in Paris, where he became one of the most influential musicians of the Romantic era. His harmonic language, deeply rooted in his work as a church organist, blended contrapuntal mastery with lush chromatic writing that profoundly influenced later composers. Franck's sacred works remain central to the choral and instrumental repertoire, prized for their spiritual depth and melodic generosity.

Beyond his symphonies and chamber works, Franck composed numerous pieces for liturgical use, including "Panis Angelicus" from his oratorio "Les Béatitudes." This setting of the Eucharistic hymn exemplifies his gift for writing melodies of extraordinary simplicity and emotional resonance, making it one of the most recorded sacred solos in Western music.

Why we love this

This arrangement captures the essence of one of music's most beloved sacred melodies while giving brass players a chance to showcase both technical control and lyrical beauty. The back-and-forth dialogue between the two trumpets creates an intimate conversation that rewards careful phrasing and balance, making it equally effective in concert or festival settings.

What to expect

Serene and contemplative, with a melody that feels both familiar and timeless. The simple, elegant line evokes the quiet reverence of a hymn, while the interplay between the two trumpets lends a sense of dialogue and companionship, as if two voices are sharing a moment of spiritual reflection.

Who it's for

Intermediate brass players seeking repertoire that develops expressive playing without excessive technical demands. This duet works well for two trumpet students of similar ability or for a trumpet student paired with an advanced player, and it's accessible enough for liturgical use while rewarding enough for recital and festival programs.

How to get the most out of it

  • Shape the melody with long, singing lines rather than punctuated articulation; treat each phrase as a vocalist would, breathing naturally at cadences and resting points.
  • Balance the two trumpet parts carefully so neither dominates, especially during the exchanges of the main theme; adjust dynamic and spatial positioning if needed to achieve true equality.
  • Allow the keyboard part to breathe with the trumpets, using rubato sparingly and only to enhance the hymn-like character rather than to obscure the harmonic foundation.
  • Maintain a steady, gentle tempo that honors the piece's sacred context; rushing diminishes its meditative quality.

How to use it

Program this as a moment of contrast in a concert mixing energetic Baroque or Classical works with more contemporary pieces. It works beautifully as an opener to quiet the audience and establish focus, or as an interlude between larger ensemble selections. For festival use, it's an excellent choice where judges value musical maturity and phrase control over flashy technique.

Skills your students will build

  • Long-phrase phrasing and breath management across 8- and 16-bar sections
  • Dynamic control and balance in duet texture, listening carefully to a partner
  • Singing tone production on brass instrument
  • Expressive use of rubato in a sacred context without losing harmonic stability
  • Understanding of liturgical music traditions and appropriate interpretation

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