Over the Rainbow: SAB Choral Octavo
Music by Harold Arlen, lyrics by E. Y. Harburg / arr. Molly Ijames
Item: 00-PO-0005816
Minimum order quantity: 20 copies
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More about this title
About the Composer: Harold Arlen
Harold Arlen (1905-1986) composed some of the Great American Songbook's most enduring melodies, with a gift for writing songs that became standards across multiple genres and generations. His collaboration with lyricist E.Y. Harburg on The Wizard of Oz produced "Over the Rainbow," a song that has become synonymous with hope and longing in American popular culture. Arlen's compositional approach combined jazz influences, memorable hooks, and harmonic sophistication that made his work equally at home in Broadway theaters, jazz clubs, and concert halls.
Why we love this
Molly Ijames's arrangement respects the emotional core of this timeless ballad while giving it enough harmonic complexity to engage singers who've moved beyond simple pop arrangements. The optional violin part adds a layer of sophistication that lets you scale the piece up or down depending on your ensemble's size and your concert context. SAB voicing makes this accessible without sacrificing the contemporary harmonization that keeps it fresh.
What to expect
The chromatic harmonization gives the familiar melody a twilight quality, sophisticated yet still recognizable. Underneath the contemporary voicing lies the original song's unmistakable sense of yearning and wonder, now filtered through jazz-influenced chords and unexpected harmonic turns that feel both modern and timeless.
Who it's for
This arrangement works for intermediate to advanced community, church, and school choirs that want to program a universally recognized song with enough musical substance to challenge singers and reward careful rehearsal. It appeals to directors looking for repertoire that connects with audiences while offering singers something genuinely interesting to sing.
How to get the most out of it
- Balance the optional violin line so it soars without overshadowing the choir; if you don't have a violinist, the arrangement stands beautifully on its own.
- Shape the chromatic passages with clear diction; these unexpected harmonic turns need articulation to land without muddiness.
- Approach this as a ballad first, not a pop song; resist the urge to rush, and let the emotional arc of the lyrics breathe between phrases.
- Pay attention to blend across the three parts, especially in the more densely voiced sections where the contemporary harmonization creates unexpected sonorities.
How to use it
Open a concert with this piece to set an elegant, introspective tone, or place it as a ballad contrast in a program built around pop or contemporary music. The optional violin part makes it suitable for chamber-style concerts or community events where you want a polished, concert-hall presentation of a song most people already know and love.
Skills your students will build
- Reading and executing chromatic harmonic progressions
- Blend and balance in contemporary jazz-influenced voicing
- Sustaining legit phrasing in a ballad context
- Coordinate with optional string instrumentation