Over the Rainbow: String Orchestra Conductor Score & Parts
As performed by Israel Kamakawiwo'ole
Music by Harold Arlen, lyrics by E. Y. Harburg / arr. Bob Phillips and Andy Beck
Grade: 2.5
Item: 00-PK-0004688
$54.00
One moment…
Description
Hold the violins and violas like ukuleles and have a blast with the Hawaiian-style version of this classic tune. Perfectly playable so you can just have fun with the pizzicato, but still work on rhythm and staying in the groove. Every section plays the melody and it sounds fantastic on bass! (2:45)
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Additional Details
Series:
Pop Beginning String Orchestra
Publisher:
Alfred Music
Page Count:
144
SKU:
00-PK-0004688
Instrumentation:
string w/ vln 3
More about this title
About the Composer: Harold Arlen
Harold Arlen (1905-1986) composed some of the most enduring melodies in American music, with a gift for writing songs that became standards almost instantly. His work for stage and screen, often in collaboration with lyricist E.Y. Harburg, shaped the sound of the Golden Age of musical theater and film, influencing generations of songwriters who followed.
Why we love this
This arrangement captures the infectious energy of a Hawaiian ukulele groove while keeping the technical demands grounded for young players. The pizzicato texture and everyone-plays-the-melody approach build ensemble cohesion quickly, making this a refreshing alternative to traditional concert fare that still delivers musicality and ear appeal.
What to expect
Sunny, playful, and groovy, like someone handed your orchestra ukuleles for an afternoon. The Hawaiian treatment keeps the melody instantly recognizable while the pizzicato texture gives it a fresh, contemporary sparkle that makes young players smile while they're working.
Who it's for
String orchestras at the Grade 2.5 level who want to explore contemporary arranging styles and have fun with rhythmic pizzicato work without sacrificing musicianship. This works equally well for groups seeking a lighter concert piece that still builds real ensemble skills.
How to get the most out of it
- Establish a steady, laid-back groove before adding the pizzicato details. The rhythm is the foundation; everything else sits on top of it.
- Bring out the bass line melody work. Players in lower voices often feel less important in pizzicato arrangements, so highlight these moments during rehearsal.
- Experiment with dynamic shaping in the melody sections. Even with a light, playful character, shape phrases so they don't flatten into monotone pizzicato.
- Balance the violins against the rest of the ensemble so the melody reads clearly without overwhelming the harmonic texture underneath.
How to use it
Perfect for a pops or family concert where you want to lighten the mood and showcase the ensemble's rhythmic precision. Its short runtime (2:45) and accessible energy make it an ideal contrast piece between more substantial works, or a strong closer that sends the audience out grinning.
Skills your students will build
- Pizzicato articulation and rhythmic precision
- Maintaining groove and steady pulse in ensemble
- Balancing melody and harmonic accompaniment
- Reading and executing rhythmic figures across the full ensemble