Over the Rainbow Cover Image

Over the Rainbow: String Orchestra Conductor Score & Parts

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Over the Rainbow Cover Image

Over the Rainbow: String Orchestra Conductor Score & Parts

As performed by Israel Kamakawiwo'ole

Music by Harold Arlen, lyrics by E. Y. Harburg / arr. Bob Phillips and Andy Beck

Grade: 2.5

Item: 00-35892

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Description
Hold the violins and violas like ukuleles and have a blast with the Hawaiian-style version of this classic tune. Perfectly playable so you can just have fun with the pizzicato, but still work on rhythm and staying in the groove. Every section plays the melody and it sounds fantastic on bass! (2:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Over the Rainbow: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Beginning String Orchestra
Publisher: Alfred Music
Page Count: 144
ISBN10: 1-4706-5512-8
ISBN13: 978-1-4706-5512-9
UPC: 038081419992
SKU: 00-35892
Instrumentation: string w/ vln 3

More about this title

About the Composer: Harold Arlen

Harold Arlen (1905-1986) composed some of the most enduring melodies in American popular music, with a gift for writing songs that bridge theater, film, and the concert hall. His work with lyricist E.Y. Harburg on "The Wizard of Oz" produced standards that remain central to music education repertoire, known for their singability and emotional directness.

Arlen's melodic style emphasizes memorable, accessible lines that work across many instruments and voices. For string players and conductors, his melodies reward clear phrasing and attention to the narrative arc within each phrase, making his work invaluable for teaching musical storytelling at early intermediate levels.

Why we love this

This arrangement captures the infectious energy of Israel Kamakawiwo'ole's beloved version while keeping the technical demands appropriate for Grade 2.5 orchestras. Every section carries the melody at different points, which means every player feels ownership of the tune and no one is stuck on rhythmic accompaniment. The pizzicato texture and Hawaiian groove make this feel like a departure from standard repertoire without sacrificing musicality.

What to expect

Warm, laid-back, and infectious. The Hawaiian-style arrangement strips away the dramatic sweep of the original and replaces it with a gentle sway and sing-along spirit. Pizzicato violins and violas in unison have an almost ukulele-like brightness that feels immediate and playful.

Who it's for

String orchestras at the high beginner to early intermediate level who want to play something contemporary and fun without sacrificing solid fundamentals. This works equally well for community youth orchestras, school ensembles, and private studio groups looking to program outside the classical canon.

How to get the most out of it

  • Focus on the rhythm section locking in together first. Once the bass and other lower voices establish the groove solidly, the melody lines will sit on top naturally.
  • Encourage consistent pizzicato articulation across the ensemble. Unison pizzicato strings require crisp attacks and clean releases to maintain the light, bouncy character.
  • Keep vibrato minimal or absent during the pizzicato passages; straight tone lets the rhythmic groove shine through.
  • Work the melody sections phrase by phrase, reminding students that this is a tune everyone knows. Sing it first, then play it with that same conversational ease.

How to use it

Program this as a concert opener or a second-half lighter moment to give audiences a chance to relax and smile. It pairs well with other accessible contemporary or folk-inspired pieces and gives a pops concert real personality. At 2:45, it's also a natural fit for a shorter concert slot or a educational demonstration of ensemble pizzicato technique.

Skills your students will build

  • Unified pizzicato articulation and consistency across multiple sections
  • Rhythmic precision and groove maintenance in a non-classical context
  • Melody sharing and transitions between instrumental sections
  • Phrasing and storytelling with a well-known tune
  • Balance between rhythmic and melodic elements

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