Outside the Box Cover Image

Outside the Box: Late Intermediate Piano Book

$9.50 USD
Sale price  $9.50 USD Regular price 
Skip to product information
Outside the Box Cover Image

Outside the Box: Late Intermediate Piano Book

Ten Contemporary Solos

By Wynn-Anne Rossi, Kevin Olson / ed. Phyllis Lehrer, Helen Marlais

Item: 98-J1023

$9.50
Shipped

One moment…

Description
Outside the Box is a unique collection containing ten pieces that experiment with contemporary compositional techniques, altering such elements as melody, harmony, and form to create a completely new sound. Students will learn interesting ways to create new sounds and have fun playing music that is definitely "Outside the Box!"

Outside the Box: Late Intermediate Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: The FJH Contemporary Keyboard Editions
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-679-5
ISBN13: 978-1-56939-679-7
UPC: 674398222902
SKU: 98-J1023

More about this title

About the Composer: Wynn-Anne Rossi

Wynn-Anne Rossi is a composer and educator with a gift for making contemporary music accessible to young pianists. Her work consistently balances experimental harmonic and structural ideas with clear pedagogical purpose, ensuring that students encounter genuinely modern compositional thinking without losing their bearings.

Rossi's contributions to the FJH Contemporary Keyboard Editions reflect her belief that pianists deserve exposure to music beyond traditional tonality and form. Her pieces reward careful listening and thoughtful interpretation while remaining engaging to play.

Why we love this

This collection sidesteps the usual progression of intermediate repertoire by making contemporary techniques the main event rather than a curiosity. Students encounter real compositional choices, clusters, unconventional harmonic movement, form that doesn't follow the sonata blueprint, and come away understanding how modern composers think differently about sound and structure.

What to expect

Stepping into a world where the rules have been rewritten. These pieces feel fresh, sometimes playful, sometimes unsettling in the best way. You'll encounter unexpected colors and shapes at the keyboard while discovering that "different" doesn't mean "difficult."

Who it's for

Late intermediate pianists ready to expand beyond standard classical and romantic repertoire. Teachers who want their students to understand that contemporary composition is not intimidating but rather an exciting playground of new possibilities.

How to get the most out of it

  • Read through the entire piece before diving into details. Contemporary works often demand a sense of the whole arc before you can interpret individual sections convincingly.
  • Experiment with pedal use deliberately. Many of these pieces exploit resonance and overtone relationships that standard pedaling might obscure or enhance in unexpected ways.
  • Pay attention to dynamic markings as structural signposts. When form is non-traditional, dynamics become a primary tool for helping listeners follow your musical logic.
  • Take time understanding the harmonic language before worrying about speed. The reward comes from clarity of sound, not velocity.

How to use it

Feature a standalone "Contemporary Voices" recital or mixed concert where these pieces sit alongside more traditional repertoire to frame the evolution of piano writing. Individual selections work well in student showcases that highlight artistic growth and adventurous thinking.

Skills your students will build

  • Reading and interpreting unconventional notational systems and harmonic structures
  • Understanding how melody, harmony, and form function outside tonality
  • Developing interpretive judgment when standard expressive guidelines don't apply
  • Building confidence with cluster chords and extended piano techniques
  • Listening critically to sound quality and resonance

You May Also Like