Our Flirtation March Cover Image

Our Flirtation March: Conductor Score & Parts

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Our Flirtation March Cover Image

Our Flirtation March: Conductor Score & Parts

By John Philip Sousa

Item: 36-A408299

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 660355150616
SKU: 36-A408299
Instrumentation: 1, 1, 2, 1 - 2, 2, 1, 0, perc, pf cond sc in set, str

More about this title

About the Composer: John Philip Sousa

John Philip Sousa dominated American band music for over five decades, composing more than 140 marches that became the soundtrack to American civic life. His gift for memorable melody, tight harmonic construction, and sophisticated orchestration elevated the march from a simple military form into an art form. Sousa's influence on wind and chamber music education remains unmatched; his works appear on every level of the curriculum because they reward both student musicians and audiences with immediate satisfaction and genuine musical substance.

Why we love this

Sousa's marches teach conducting and ensemble clarity without requiring the massive forces of a full band. This scaled orchestration keeps the essential march character intact while making it accessible to smaller ensembles, chamber orchestras, and schools where instrumentation is limited. The Romantic-era sensibility gives it sophistication beyond typical march repertoire, and students respond to music they recognize as genuinely important.

What to expect

Crisp, elegant, and buoyant. The march unfolds with genteel charm rather than military severity, with graceful lines and a courtly sense of movement. There's wit in the orchestration and warmth in the melody that makes it feel like a conversation among friends.

Who it's for

Conductors leading chamber orchestras, smaller ensembles, or schools where full instrumentation is unavailable. Intermediate to advanced students benefit from learning Sousa's harmonic language and rhythmic precision without the density of a full orchestral score.

How to get the most out of it

  • Anchor the rhythm section early in rehearsals. These parts lay the harmonic and metric foundation that keeps the ensemble moving forward with confidence.
  • Balance the melodic lines carefully between woodwinds and strings. Sousa wrote for transparency, not thickness, so resist the urge to build weight in middle voices.
  • Shape each phrase with a clear arc. Marches can feel pedestrian if conducted metronomically; bring forward the natural rise and fall of the melody.

How to use it

Open a concert with this to set an energetic, accessible tone before moving into heavier repertoire. It works equally well as a finale when you want to send audiences out smiling. The piece also fits naturally into American music units or historical survey programs.

Skills your students will build

  • Conducting clear downbeats and releases in march time
  • Balancing independent melodic lines across different sections
  • Maintaining steady tempo and rhythmic precision
  • Reading and interpreting dynamic shaping within a formal structure
  • Ensemble awareness of section independence and harmonic support

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