Organ Works, Volume II Cover Image

Organ Works, Volume II: Organ Book

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Organ Works, Volume II Cover Image

Organ Works, Volume II: Organ Book

By Jacques Boyvin

Item: 00-K04150

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Description
A collection of exercises, for Organ, composed by Jacques Boyvin.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Organ Works, Volume II: Organ Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-7692-6868-4
ISBN13: 978-0-7692-6868-2
UPC: 029156084917
SKU: 00-K04150

More about this title

About the Composer: Jacques Boyvin

Jacques Boyvin (1649-1706) was a French Baroque organist and composer whose works shaped keyboard music during the reign of Louis XIV. Serving as organist at the Cathedral of Rouen, Boyvin developed a distinctive compositional voice that blended French classical elegance with contrapuntal rigor, earning him recognition among his contemporaries and students throughout northern France.

Boyvin's organ works remain vital documents of Baroque performance practice and registration. His exercises and pieces demonstrate the harmonic language, dance rhythms, and ornamental conventions essential to understanding how French organists of the late 17th century approached the instrument. His music continues to inform modern organists about historical technique and stylistic interpretation.

Why we love this

This collection presents authentic Baroque keyboard writing from a master craftsman whose exercises served working organists for centuries. Boyvin's attention to voicing, hand independence, and registration provides students with practical material that builds facility while keeping musical substance at the forefront, far removed from sterile technical drills.

What to expect

Disciplined yet graceful, these exercises unfold with the measured elegance characteristic of French Baroque music. Each piece balances pedagogical clarity with genuine musical interest, inviting the organist into a world of refined counterpoint, tasteful ornamentation, and the special sonorities possible at the Baroque organ.

Who it's for

Advanced organists seeking to deepen their understanding of Baroque French compositional technique and historically informed performance practice. Teachers preparing students for recital repertoire, historical study, or the development of independence between hands at the keyboard.

How to get the most out of it

  • Approach registration thoughtfully by consulting period documentation on French organ specifications; Boyvin's writing assumes knowledge of which manuals and stops suit each texture and harmonic movement.
  • Practice hand independence slowly, isolating passages where the left and right hands move in contrasting rhythmic patterns before combining them at tempo.
  • Shape phrases according to the harmonic rhythm rather than the notated barlines; Baroque phrasing often crosses measures and responds to cadential destinations.
  • Experiment with articulation and ornamentation appropriate to the French style; historically informed organ playing calls for clarity and decorative sensitivity rather than sustained legato throughout.

How to use it

These works function best as recital material for organists with intermediate-to-advanced technique who want to program historically significant keyboard literature from the French tradition. They also serve as essential study pieces for musicians exploring Baroque organ repertoire or preparing for period-specific performance scenarios.

Skills your students will build

  • Hand independence and contrapuntal voice leading
  • French Baroque ornamental conventions and articulation
  • Harmonic analysis and phrase structure in period context
  • Registration awareness and manual technique appropriate to the era
  • Sustained finger dexterity and precision in runs and scalar passages

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