Orchestra Expressions™, Book One: Teacher Edition Cover Image

Orchestra Expressions™, Book One: Teacher Edition: Curriculum Package

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Orchestra Expressions™, Book One: Teacher Edition Cover Image

Orchestra Expressions™, Book One: Teacher Edition: Curriculum Package

By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow, consulting editor Anne C. Witt, and contributing arrangers Jack Bullock, Victor López, and Tom Roed

Item: 00-EMCO1001

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Description
Orchestra Expressions™ provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for the Arts in Music -- not retro-fitted to the Standards. The program is music literacy-based and satisfies reading and writing mandates in orchestra class. The pedagogy involves a "four-fingers-down" start for every instrument, separate but simultaneous development of both hands, and beginning the bass in III position to develop early shifting.

The Teacher Curriculum Package for Book One includes Teacher's Edition Books Volumes I-IV, Teacher's Resource Guide, Teacher Lesson, Masterworks and Performance Selection CDs (1 Masterwork and Rhythms CD, 7 Lesson CDs, and 1 Performance Selections CD), Teacher's Support Pack, which includes Student worksheets #1-#54 (85 total), Teacher Forms and Rubrics (student assessment worksheets, 5 total), and Transparencies #1-#66 (67 total), Orchestra Progress Record Book One (OPR1), several orchestra arrangements by Sandra Dackow, and a final full orchestra concert piece. This Curriculum Package does not include a DVD.

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Additional Details
Series: Orchestra Expressions
Publisher: Alfred Music
ISBN10: 0-7579-2053-5
ISBN13: 978-0-7579-2053-0
UPC: 654979075110
SKU: 00-EMCO1001

More about this title

About the Author: Kathleen DeBerry Brungard

Kathleen DeBerry Brungard

Kathleen DeBerry Brungard brings three decades of public school orchestra and strings teaching to her curriculum work. She has taught students in grades 1-12 across Georgia, Arizona, Nevada, Texas, and California, leading elementary and secondary orchestras to performances at national, regional, and state music educator conventions. Her experience spans multiple genres: orchestral repertoire, concert band, and jazz ensemble.

Brungard's career has centered on curriculum development at all instructional levels, with particular focus on gifted and talented programs. She has mentored student teachers extensively and served as an adjudicator and clinician, bringing classroom insight to her work with music educators nationwide.

Why we love this

This curriculum package stands apart because it was built from the National Standards for the Arts in Music from the ground up, not retrofitted afterward. The pedagogical approach—four-fingers-down starts, simultaneous two-hand development, and early III position bass work—creates a foundation that accelerates student independence and prepares them for advanced repertoire. Having everything in one package (teacher volumes, worksheets, assessment rubrics, transparencies, recordings, and concert arrangements) eliminates the fragmentation that drains rehearsal time.

What to expect

Building musicianship from the first note. Students experience structure and purpose in every lesson, progressing from foundational reading and hand independence through early shifting with clarity and intention. The program creates an environment where musical literacy feels essential rather than supplementary, and where every student can feel themselves advancing.

Who it's for

Orchestra teachers at the elementary and middle school levels who need a comprehensive, standards-based program that integrates literacy instruction with ensemble development. This curriculum works for teachers new to strings instruction as well as experienced directors seeking a more rigorous pedagogical framework and ready-to-use materials that align with state and national standards.

How to get the most out of it

  • Use the recorded Masterworks and Lesson CDs to establish tempo and intonation models before asking students to match them independently in rehearsal.
  • Reference the transparencies during sectional work to isolate rhythmic or technical challenges without stopping the full orchestra unnecessarily.
  • Incorporate the student worksheets as preparation before rehearsal so class time stays focused on ensemble sound and musical interpretation.
  • Draw on the assessment rubrics to document progress toward specific literacy and performance goals, making feedback concrete rather than general.

How to use it

Implement this as your primary curriculum resource for beginning orchestra students throughout the school year, moving sequentially through the four volumes. The included concert arrangements and final full orchestra piece provide natural programming endpoints for winter and spring concerts, giving students meaningful performance goals from the start of instruction.

Skills your students will build

  • Music literacy (reading both treble and bass clefs)
  • Hand independence and coordination (four-finger positioning and simultaneous two-hand development)
  • Shifting technique (bass III position work)
  • Rhythmic accuracy (through literacy-based progression)
  • Ensemble intonation and blend
  • Conducting responsiveness and musical expression

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