Orchestra Expressions™, Book One: Student Edition Cover Image

Orchestra Expressions™, Book One: Student Edition: String Bass Book & Online Audio

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Orchestra Expressions™, Book One: Student Edition Cover Image

Orchestra Expressions™, Book One: Student Edition: String Bass Book & Online Audio

By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow, consulting editor Anne C. Witt, and contributing arrangers Jack Bullock, Victor López, and Tom Roed

Item: 00-EMCO1005CD

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Description
Orchestra Expressions™ provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for the Arts in Music -- not retro-fitted to the Standards. The program is music literacy-based and satisfies reading and writing mandates in orchestra class. The pedagogy involves a "four-fingers-down" start for every instrument and separate but simultaneous development of both hands.

Each student book features an attractive full-color interior with easy-to-read notes and includes:
-Online audio providing 183 tracks of accompaniment recordings that cover everything in the book
-Historical notes on some of the most notable composers of orchestral music
-A thorough glossary of musical terms

Future reprints may be printed with black and white interiors.

This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Orchestra Expressions™, Book One: Student Edition: String Bass Book & Online Audio comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Mix Em Up --:--
2 Vivaldi On G --:--

Mix Em Up

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Sample Video
Additional Details
Series: Orchestra Expressions
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7579-1994-4
ISBN13: 978-0-7579-1994-7
UPC: 654979074052
SKU: 00-EMCO1005CD
Instrumentation: String Bass

More about this title

About the Author: Kathleen DeBerry Brungard

Kathleen DeBerry Brungard

Kathleen DeBerry Brungard brings three decades of public school orchestral training to her work as an educator and clinician. She has directed orchestras across grades 1-12 in Georgia, Arizona, Nevada, Texas, and California, with ensembles regularly performing at state, regional, and national music educator conventions. Beyond the classroom, she has authored comprehensive curriculum guides for strings at all levels and contributed significantly to gifted and talented program development.

Throughout her career, Brungard has mentored student teachers and served as a mentor instructor in public education. Today she remains active as a clinician, conductor, and adjudicator, bringing her classroom expertise to educators nationwide.

Why we love this

Orchestra Expressions Book One meets you where you actually teach: it's built directly from the National Standards rather than retrofitted into them, which means the pedagogy and sequencing serve real curriculum mandates around music literacy. The "four-fingers-down" approach and simultaneous two-hand development make sense for young bass players, and 183 accompaniment tracks provide consistent, immediate reinforcement without requiring you to play every single example.

What to expect

Clear and purposeful. Every page has a specific job, and the full-color interior with readable notation invites engagement rather than intimidating newcomers. The progression builds confidence steadily, balancing technique work with recognizable musical moments.

Who it's for

Beginning string bass players in grades 1-12 school orchestra programs. This book works equally well for students starting in elementary school and those beginning in middle or high school who have had no prior instruction.

How to get the most out of it

  • Engage the recorded accompaniments from day one. The variety of musical contexts keeps students connected to the sounds they're building toward rather than practicing in isolation.
  • Use the historical composer notes as a springboard for discussion during sectional rehearsals. Knowing who wrote what they're playing adds relevance and often increases investment in tone quality.
  • Anchor the opening lessons with firm left-hand positioning. The four-fingers-down foundation is only useful if students actually use it consistently before moving past these early pages.

How to use it

Use this as your core string bass method for the first year of instruction, working through it in concert with your ensemble's full-orchestra repertoire so students apply their developing reading skills immediately in rehearsal. The glossary and composer notes extend beyond the method itself, serving as reference materials throughout your students' orchestral experience.

Skills your students will build

  • Left-hand placement and four-fingers-down technique
  • Music reading on the bass clef staff with ledger lines
  • Bow hold and right-hand coordination
  • Simultaneous development of independent hands
  • Recognition of historical composers and their works
  • Understanding of musical terminology and expression

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