Opus de Funk Cover Image

Opus de Funk: Jazz Ensemble Conductor Score

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Opus de Funk Cover Image

Opus de Funk: Jazz Ensemble Conductor Score

By Horace Silver / arr. Victor López

Grade: 3 (Medium)

Item: 00-JEM02036C

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Description
Opus de Funk is a hard driving Latin-swing featuring alto and trumpet. Arranger Victor López has tamed this very hip Horace Silver jazz tune for the Jazz Band Series. With a sax soli, a trombone and tenor soli, alto solo, trumpet solo, and bass solo there's plenty of action in this chart. Trumpet range to written G, bone to F. This chart has style! (3:02)

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 16
UPC: 654979037668
SKU: 00-JEM02036C

More about this title

About the Composer: Horace Silver

Horace Silver stands as one of jazz's most influential composers and pianists, bridging hard bop and funk with accessible melodic sensibility. His work shaped the sound of Blue Note Records and influenced generations of ensemble arrangers seeking to balance sophistication with groove.

Why we love this

Victor López has preserved everything that makes Silver's composition compelling, the Latin-swing pocket, the hip harmonic movement, while engineering clear section writing that lets young musicians feel the funk without drowning in complexity. The solo spotlight distribution means nobody sits idle, and the range requirements (trumpet to G, trombone to F) stay reasonable for a Grade 3 ensemble.

What to expect

Propulsive and cool. The Latin rhythm underneath keeps everything moving while the alto-trumpet melody hooks immediately, and those scattered solo sections give the ensemble room to breathe and show individual voices. It's the sound of controlled energy.

Who it's for

Jazz ensembles at the intermediate level who want a high-energy, stylistically authentic funk number that doesn't demand virtuosity. Directors preparing for jazz festivals or concerts where contemporary groove repertoire matters just as much as standards.

How to get the most out of it

  • Lock the alto and trumpet melody in the opening figure; their unison defines the tune's character, so match articulation and phrasing precisely.
  • The Latin-swing feel demands a relaxed forward motion rather than metronomic precision. Let the rhythm section push slightly ahead of the beat to create that characteristic groove.
  • Highlight each solo feature individually. The sax soli, trombone-tenor section moment, and individual soloists all need space and spotlight time, not background accompaniment energy.
  • Use the recorded accompaniment to establish the style before independent rehearsals. Hearing the intended pocket first prevents the chart from devolving into straight swing.

How to use it

Pair it with a ballad or modal tune to showcase your ensemble's range in a jazz concert set. At under three minutes, it works as both a closer to a set or a clean opener that signals you mean business from the first downbeat.

Skills your students will build

  • Latin-swing rhythmic feel and pocket awareness
  • Writing in and reading through section unison passages
  • Solo spotlight trading and ensemble listening
  • Stylistic articulation within funk and Latin jazz idioms
  • Balance between melodic clarity and rhythmic groove

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