Open Arms: String Orchestra Conductor Score & Parts
As performed by Journey
Words and music by Jonathan Cain and Steve Perry / arr. Bob Cerulli
Grade: 3.5
Item: 00-PK-0005247
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Open Arms: Score | $9.00 | |
| Open Arms: 1st Violin | $5.99 | |
| Open Arms: 2nd Violin | $5.99 | |
| Open Arms: Viola | $5.99 | |
| Open Arms: Cello | $5.99 | |
| Open Arms: String Bass | $5.99 |
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Description
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More about this title
About the Composer: Jonathan Cain
Jonathan Cain joined Journey as keyboardist in 1981 and became the band's primary songwriter during their most commercially successful period. His gift for crafting memorable melodies and emotionally direct lyrics shaped the sound that defined arena rock in the 1980s. As an educator, Cain's work demonstrates how effective pop songwriting uses space, dynamics, and lyrical clarity to connect with listeners, principles that transfer directly to any ensemble setting.
Why we love this
Bob Cerulli's arrangement captures what makes this ballad so affecting without sacrificing the rock aesthetic that gives it its contemporary edge. The orchestration allows violins to sing the primary melody while maintaining steady rhythmic foundation, creating an ideal scenario for string players to develop lyrical phrasing within a familiar, engaging context. Directors get a piece that connects with audiences immediately while offering genuine musical substance.
What to expect
A song built on restraint and sincerity. The sustained strings create an intimate space despite the rock instrumentation, with melody lines that sit naturally on string instruments. There's a quiet intensity here, not bombast, but genuine emotional weight.
Who it's for
This score and parts set serves string orchestras at the upper-intermediate level looking for repertoire that bridges classical training with contemporary music. Directors programming pop-rock repertoire for winter or spring concerts will find a piece that captivates student musicians and audiences alike. It works equally well for orchestras seeking high-engagement concert material or as a change-of-pace selection in a traditional classical program.
How to get the most out of it
- Establish the steady rock pulse before rehearsal begins; this piece demands consistent quarter-note momentum underneath the expressive melody lines, much like a working metronome.
- Balance the violins' lyrical line against the accompaniment voices by checking section blend during full run-throughs rather than isolated sectional work.
- Shape phrase endings with slight tempo flexibility to emphasize the song's emotional peaks without losing the underlying rhythmic integrity.
- Encourage vibrato across the string sections during sustained melody passages to enhance the warmth and fullness the arrangement aims for.
How to use it
Program this as a standalone concert feature or pair it with other pop-rock arrangements to create a dedicated contemporary segment in your concert. It functions beautifully as a spring concert closer or as a bridge piece between a traditional orchestral opening and more experimental repertoire. The piece also serves effectively as a morale booster during intensive rehearsal periods, offering musicians a chance to play something immediately satisfying while building legitimate orchestral skills.
Skills your students will build
- Phrasing and shaping melody lines within steady rhythmic frameworks
- Balancing independence in accompanying voices while supporting primary melodic material
- Coordinating rhythmic precision in rock-based meter with expressive string techniques
- Reading and executing straightforward functional harmony in a contemporary context
- Building vibrato control and tone production in ensemble settings