One People Cover Image

One People: Jazz Ensemble Conductor Score & Parts

$83.00 USD
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One People Cover Image

One People: Jazz Ensemble Conductor Score & Parts

From One Music

By Bob Mintzer

Item: 01-ADV31001

$83.00
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Description
Bob Mintzer's "One People" is a medium funk chart. Lead trumpet: notated B2; lead trombone: A1.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095310016
SKU: 01-ADV31001

More about this title

About the Composer: Bob Mintzer

Bob Mintzer is a saxophonist, composer, and bandleader whose work spans jazz, fusion, and contemporary big band writing. A consummate musician with decades of performance and compositional experience, Mintzer has become known for writing that balances accessibility with musical sophistication, creating charts that challenge ensemble players while remaining deeply grounded in swing and groove.

Why we love this

Mintzer writes funk grooves that actually swing, which is harder to pull off than it sounds. This chart sits at a medium difficulty level, making it attainable for developing jazz ensembles while still offering enough harmonic and rhythmic interest to keep experienced players engaged.

What to expect

The funk groove sits easy and confident, with a modern sensibility that draws from contemporary jazz-fusion energy. Horn lines land with precision and snap, creating that satisfying pocket feel where everything clicks into place.

Who it's for

Jazz ensembles with intermediate to advanced reading ability will find this chart both playable and rewarding. Directors seeking accessible funk material that doesn't sacrifice musicality will appreciate Mintzer's writing approach.

How to get the most out of it

  • Lock the rhythm section (piano, bass, drums) into the funk pocket before running full ensemble. The groove drives everything; once it's solid, the horns will sit naturally over the top.
  • Balance the lead voices carefully. With trumpet on B2 and trombone on A1, make sure neither overpowers the section; the melody should feel conversational rather than forcing one line to dominate.
  • Emphasize articulation clarity on the rhythmic figures. Funk depends on crisp attacks and consistent tonguing to define the groove; sloppy articulation will flatten the chart's energy.
  • Treat the solos as ensemble opportunities. Ensure the rhythm section maintains groove and dynamics support during improvised sections, not just keeping time.

How to use it

This works well as a standalone concert feature or paired with other contemporary jazz standards to showcase your ensemble's groove vocabulary. The medium difficulty makes it ideal for a winter or spring concert where you want to program something with immediate impact without requiring months of rehearsal time.

Skills your students will build

  • Funk and swing groove articulation
  • Reading and executing syncopated rhythmic figures
  • Balancing lead voices in a section texture
  • Soloing over a defined harmonic progression
  • Maintaining ensemble cohesion in rhythmically complex arrangements

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