One Moment in Time: SAB Choral Octavo
By Albert Hammond and John Bettis / arr. John Higgins
Item: 00-PO-0005465
Minimum order quantity: 20 copies
One moment…
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More about this title
About the Composer: Albert Hammond
Albert Hammond is a British-American songwriter and producer whose catalog spans pop, film, and television. He co-wrote "One Moment in Time" with John Bettis for the 1988 Seoul Olympics, where the song became an anthem performed by Whitney Houston. Hammond's gift for crafting memorable melodies and emotionally resonant lyrics has made his work enduring material for choral arrangements.
Why we love this
This arrangement captures the soaring optimism of the original while sitting comfortably in SAB voicing, making it accessible to mixed choirs without sacrificing the song's emotional power. John Higgins's orchestration respects the pop sensibility of the piece, so singers can focus on delivering genuine expression rather than fighting unfamiliar harmonic language. It's a crowd-pleaser that also gives choirs something substantial to sing.
What to expect
Uplifting and motivational, with the kind of soaring melody that invites singers to invest emotionally. The piece builds from an intimate place toward something triumphant, giving performers a genuine arc to travel alongside their audience.
Who it's for
Mixed choirs, show choirs, and community ensembles looking for contemporary repertoire that engages audiences without requiring advanced vocal technique. This arrangement works equally well in school choral programs, church music settings, and performance-based ensembles seeking material with genuine appeal.
How to get the most out of it
- Approach the melody with the confidence of a pop ballad rather than a classical art song. Encourage singers to think about phrasing in breath units that feel natural when spoken, not just musical phrases.
- Balance the SAB parts so that the upper voices carry the primary melodic line without the sopranos overpowering the altos and baritones underneath. The three-part texture works best when all parts feel equally invested.
- Use the recorded accompaniment during rehearsals to lock the groove and harmonic foundation. This frees you to concentrate on vocal blend and emotional delivery.
- Shape the dynamic arc toward the song's climactic moments rather than treating the entire piece at one volume level. The anthem quality demands gradual builds that feel earned.
How to use it
Program this as a concert centerpiece or as part of a pop or contemporary set where it anchors the emotional weight of the program. It pairs well alongside other feel-good repertoire and serves as a strong closer that sends audiences out with warmth and hope.
Skills your students will build
- Sustaining legit vocal tone while maintaining rhythmic precision in a pop idiom
- Balancing three-part SAB voicing so all lines remain audible and engaged
- Shaping longer melodic phrases with natural breath placement rather than musical punctuation
- Responding to dynamic and emotional direction within a contemporary style