One for the Money: Brass Quintet Score & Parts

Gassi's writing here balances immediate playability with genuine musical sophistication. The parallel fourths and contrapuntal ensemble section give quintet members something compelling to think about musically while the groovy swing feel keeps rehearsals energized and fun. A piece that earns its place on a festival program without sacrificing the joy of playing together.

Energetic and urbane, with the forward-motion of a good swing groove underneath sophisticated harmony. The parallel fourths create a sleek, modern sonority that feels both accessible and elegant, while the contrapuntal section adds intellectual depth without losing the piece's infectious rhythm.

Brass quintet players at the intermediate to advanced high school level and beyond who want contemporary swing writing with harmonic and textural interest. This is ideal for groups comfortable with small ensemble playing and ready for pieces that go beyond basic chorale-style arrangements.

• Lock in the rhythm section first (trumpet-horn-trombone) before layering in the melodic voices; the groove depends on absolute clarity in the inner voices.
• Shape the parallel fourths with subtle dynamic shading so the sonority breathes rather than lying flat; resist the urge to make them sound mechanical.
• In the contrapuntal section, bring out each line with character; this isn't background texture, it's conversation between parts.
• If using the optional drumset part, rehearse without it first so the brass quintet develops its own time and independence, then add drums as a final layer.

Program this as a concert closer or festival showpiece where you want to demonstrate the ensemble's rhythmic maturity and harmonic sensitivity. It works especially well on a mixed program of standards and contemporary work, offering audiences a refreshing take on jazz-influenced brass writing.

• Swing rhythm and feel, including proper articulation of eighth notes
• Blend and balance in parallel harmonic structures
• Part independence within contrapuntal writing
• Solo playing with chord changes (second trumpet)
• Ensemble precision and timing in rhythmically complex passages