One for the Altos Cover Image

One for the Altos: 3-Part Mixed / SAB Choral Octavo

$1.75 USD
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One for the Altos Cover Image

One for the Altos: 3-Part Mixed / SAB Choral Octavo

Words and music by Jay Althouse

Item: 00-33086

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Description
A bit of fun, a bit of tongue-in-cheek humor, and a great way to celebrate and feature those loyal and loveable altos!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081359946
SKU: 00-33086

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. Early in his career, he worked for eight years as a rights and licenses administrator at a major educational music publisher, serving a term on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has created more than 800 choral works performed worldwide and is a writer member of ASCAP, regularly receiving the ASCAP Special Award for compositions in standard music. Beyond composing, he has co-written children's musicals with his wife Sally K. Albrecht, compiled acclaimed vocal solo collections including Folk Songs for Solo Singers, and co-authored The Complete Choral Warm-up Book and Accent on Composers. He has also authored reproducible music classroom resources such as Ready to Read Music and One-Page Composer Bios. His choral composition I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration.

Why we love this

Althouse delivers exactly what the title promises: a piece that celebrates altos with warmth and genuine affection rather than parody or condescension. The tongue-in-cheek humor lands because it comes from someone who understands choral repertoire and ensemble dynamics deeply, making it both funny and genuinely celebratory. Directors consistently find this piece builds camaraderie and gives altos a moment to shine without overshadowing the ensemble's overall balance.

What to expect

Playful and warm, with a wink to the audience and the singers themselves. The music sparkles with good humor without ever becoming mean-spirited, creating a moment where altos feel seen and the whole choir gets to share in the fun together.

Who it's for

Directors programming pop or secular concerts who want a moment that acknowledges ensemble culture while keeping the tone light and inclusive. Choirs with strong alto sections will especially connect with the piece's celebration of their voices and contributions to the ensemble sound.

How to get the most out of it

  • Lean into the humor during rehearsal by asking altos to lead during their moments; let the ensemble's enjoyment of the piece's playfulness come through naturally rather than forcing a comedic tone.
  • Balance the three parts carefully so the SAB voicing feels cohesive; the middle part should never disappear into the texture, especially when supporting the melodic line.
  • Consider using the recorded accompaniment to establish tempo and style early, which helps singers lock into the piece's rhythmic groove and comic timing.

How to use it

Place this piece mid-program when audiences need a breath of levity and your singers need a confidence boost. It pairs naturally with other secular repertoire and works especially well in community concerts, holiday shows, or pops-style programs where the ensemble's personality shines through.

Skills your students will build

  • Maintaining blend in three-part SAB voicing with equal confidence across all parts
  • Responding to humor and character in text while maintaining musical integrity
  • Building ensemble confidence through humor and celebration rather than serious subject matter

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