One for Daddy-O Cover Image

One for Daddy-O: Jazz Ensemble Conductor Score & Parts

$42.00 USD
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One for Daddy-O Cover Image

One for Daddy-O: Jazz Ensemble Conductor Score & Parts

By Nat Adderley / arr. Vince Gassi

Grade: 1 (Easy)

Item: 00-41159

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Description
One for Daddy-O arranged by Vince Gassi is a swingin' chart at 148 BPM with an easy melody line, a written tenor solo, and easy brass ranges---all good. A mature sounding yet easy to play arrangement. (2:21) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, One for Daddy-O: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 86
UPC: 038081473246
SKU: 00-41159

More about this title

About the Composer: Nat Adderley

Nat Adderley was a cornetist and composer who became a cornerstone of the hard bop movement alongside his brother Cannonball. Known for his warm tone and accessible compositional style, Adderley created pieces that swing hard without demanding virtuosity from players, making him a natural fit for educational jazz ensembles.

His work emphasizes melody-first writing and ensemble interplay, qualities that have kept his compositions central to jazz education for decades. Adderley's legacy in the classroom extends beyond his playing; his charts are built to teach, not intimidate.

Why we love this

This arrangement captures everything that makes Adderley's writing educational without sacrificing the swagger. Gassi's voicings sit perfectly in the early-ensemble grade level, and the melody remains simple enough for first-year readers while the harmonic movement underneath keeps the sound mature and professional. Your students will feel like they're playing real jazz from day one.

What to expect

Smooth and confident, with a forward-moving swing feel that lets players settle into their parts quickly. The melody is instantly memorable, the rhythm section is buoyant, and the brass voices blend warmly, creating the sense that everyone in the band is part of something bigger.

Who it's for

First and second-year jazz ensemble students who are ready for genuine repertoire with real ensemble roles. This is the right choice when you want your players to experience the satisfaction of swinging together without getting lost in complex ranges or challenging harmonies.

How to get the most out of it

  • Lock the tempo at 148 BPM before rehearsal; use the recorded accompaniment to establish that swing feel and keep ensemble time tight during sectionals and full rehearsals.
  • Balance the tenor solo feature carefully so it sits over the rhythm section without drowning the ensemble voices behind it.
  • Emphasize the backbeat and lay-back feel in the rhythm section; this is where the mature sound lives, even at an easy level.

How to use it

Slot this into the second half of a jazz concert program where it can stand alongside other accessible charts; its 2 minutes 21 seconds makes it a natural pairing with contrasting ballads or more uptempo standards. It also works beautifully in school assemblies or informal performances where you want to showcase that your ensemble sounds accomplished and in-control.

Skills your students will build

  • Reading and feeling swing articulation (not mechanical eighth notes)
  • Ensemble balance with a featured solo voice
  • Time and tempo consistency at a moderate jazz tempo
  • Interpreting lead sheets and chord changes in a real ensemble context
  • Listening to and supporting other sections in a jazz setting

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