One Candle Lights the Way: SSA Choral Octavo
Words and music by Sally K. Albrecht and Jay Althouse
Item: 00-PO-0007934
Minimum order quantity: 20 copies
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Description
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has spent her career building choral repertoire that speaks to real singers and real audiences. Since 1987, she has earned ASCAP Special Music Awards annually, and her catalog now includes more than 600 choral publications alongside 75 musicals and songbooks. She served as Director of School Choral, Vocal, and Elementary Publications for major educational publishers, including three decades at Alfred Music, and has conducted honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. A native of Cleveland, she now resides in North Carolina with her husband, composer and arranger Jay Althouse. In 2021, she received the Distinguished Alumna Award from both Rollins College and the University of Miami Frost School of Music.
Why we love this
This piece brings genuine warmth to programs across seasons and occasions. The melody sits naturally for SSA voices, and the secular peace message resonates whether you're programming a winter concert, a unity assembly, or a year-round celebration. Pairing it with the SoundTrax recording gives your ensemble a polished, professional accompaniment that lets singers focus on the emotional core of the text.
What to expect
The piece carries a quiet hopefulness, the kind that comes from simple, honest melody paired with language about light and peace. There's no drama or complexity to distract; instead, the straightforward beauty of the song lets the text and sentiment take center stage. Singers and audiences alike experience something genuinely moving in its directness.
Who it's for
This arrangement suits SSA choirs of all experience levels, from middle school singers building foundational skills to advanced treble ensembles seeking repertoire with emotional authenticity. It works equally well in secular school settings and faith-based programs, making it a practical choice for directors managing mixed programming needs.
How to get the most out of it
- Shape the gentle melody with subtle dynamic contours rather than singing it straight; the simplicity of the line invites expressive phrasing that keeps listeners engaged
- Balance the SSA voicing carefully so the soprano line soars without drowning the inner voices, which carry important harmonic color
- Allow the recorded accompaniment to anchor your tempo and keep ensemble confidence high, especially with younger or less experienced singers
How to use it
Open a winter concert with this piece to set a reflective tone, or place it mid-program as a moment of stillness between more energetic selections. Its multicultural roots also make it a natural fit for a program celebrating diverse traditions, standing comfortably alongside other seasonal or thematic repertoire without feeling out of place.
Skills your students will build
- legit singing with sustained vowels over simple melodic lines
- blending SSA voicing while maintaining individual line integrity
- expressive phrasing and dynamic shape with limited harmonic complexity
- singing with text-driven intention rather than technical display