One Candle Lights the Way: SATB Choral Octavo
Words and music by Sally K. Albrecht and Jay Althouse
Item: 00-PO-0003889
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
One Candle Lights the Way: SSA Choral Octavo |
$1.65
|
View | |
One Candle Lights the Way: 2-Part Choral Octavo |
$2.25
|
View | |
One Candle Lights the Way: SATB Choral Octavo |
$2.25
|
View | |
One Candle Lights the Way: 3-Part Mixed Choral Octavo |
$1.65
|
View | |
One Candle Lights the Way: SSA Choral Octavo |
$1.65
|
View | |
One Candle Lights the Way: 2-Part Choral Octavo |
$2.25
|
View | |
One Candle Lights the Way: Choral Octavo SoundTrax CD |
$27.99
|
View |
Description
One Candle Lights the Way: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Sally K. Albrecht

Sally K. Albrecht brings three decades of experience as a choral composer, conductor, and clinician to her work in music education. Since 1987, she has received the ASCAP Special Music Award annually and maintains over 600 published choral compositions alongside 75 larger works for stage. She has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and served as Director of School Choral, Vocal, and Elementary Publications for major educational publishers, most notably Alfred Music.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught in university music departments across Michigan, New Jersey, and North Carolina. She is a recipient of the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She and her husband, composer and arranger Jay Althouse, live in Wake Forest, North Carolina.
Why we love this
This piece captures the universal message of hope and light without tying itself to a single tradition, making it genuinely versatile across your holiday season programming. The melody settles into singers' voices with ease, letting the meaningful text land clearly, and the gentle writing encourages ensemble cohesion rather than demanding virtuosity. It sits comfortably in the middle of a mixed concert and stands equally well as an opening, closing, or reflective moment between heavier works.
What to expect
Quiet and purposeful, with the kind of gentle radiance that fills a room without demanding attention. The melody moves in unhurried phrases that feel like a meditation on hope, supported by harmonies that reinforce rather than complicate the sentiment. There's an intimacy here that invites the audience to lean in and listen.
Who it's for
This octavo works beautifully for any mixed choir seeking inclusive seasonal repertoire that avoids sectarian language while maintaining spiritual warmth. Whether you're building a Chanukah, Christmas, Kwanzaa, or interfaith holiday program, singers at all levels will connect with both the accessibility of the writing and the depth of its message.
How to get the most out of it
- Keep the tempo steady and unhurried; this piece gains its power from simplicity and sincerity rather than forward momentum. Let each phrase breathe without rushing into the next.
- Balance the parts so the melody emerges naturally from the overall sound. SATB writing this accessible can disappear if sopranos aren't singing with intention and focus.
- If using the recorded accompaniment, rehearse with it early and often so singers internalize the harmonic movement and can phrase independently when needed.
- Shape the text with your singers before worrying about dynamics. Once they understand what the words mean, the musical arc will follow more organically.
How to use it
Position this as a reflective anchor in a holiday concert, especially one that draws singers and listeners from multiple traditions. The secular peace text makes it an ideal bridge between works from different cultural or religious traditions, or a standalone moment of unity late in your program when audiences are most receptive to a simpler, more direct message.
Skills your students will build
- Blend and balance in SATB voicing with straightforward part writing
- Phrasing and breath management in slower tempos
- Clear text articulation in a secular-spiritual context
- Singing with emotional intentionality rather than technical display