Ondulando, Op. 31 Cover Image

Ondulando, Op. 31: Conductor Score & Parts

$4.95 USD
$4.95 USD
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Ondulando, Op. 31 Cover Image
Ondulando, Op. 31: Conductor Score & Parts

Ondulando, Op. 31: Conductor Score & Parts

By Heitor Villa-Lobos

Item: 36-M364291
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Description
ONDULANDO, which translates to "wavy" from the Brazilian Portuguese, perfectly describes the musical contour of this work, both in terms of the larger phrases and smaller measure to measure writing for the performer.  Subtitled "Estudo" (study), this work is a beautiful work to add addition to any pianists repertoire.

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Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887235-X
ISBN13: 978-1-63-887235-1
UPC: 660355148743
SKU: 36-M364291
Instrumentation: Solo Piano

More about this title

About the Composer: Heitor Villa-Lobos

Heitor Villa-Lobos (1887-1959) stands as Brazil's most significant classical composer, a figure who synthesized European concert traditions with the rhythmic vitality and melodic richness of Brazilian music. His prolific output across all genres established him as a bridge between two musical worlds, and his influence on twentieth-century composition extends far beyond his native country.

Villa-Lobos approached composition with fearless experimentation. He wrote for unconventional ensembles, embraced folk idioms without sentimentality, and created works that demand both technical mastery and interpretive depth from performers. His pedagogical output remains essential to music education; his Bachianas Brasileiras and Choros cycles continue to define the repertoire for their respective instruments.

Why we love this

The wavy, undulating quality Villa-Lobos builds into every measure creates a study that feels like a complete musical experience rather than a technical exercise. Players stay engaged with the flowing contours and Brazilian inflection rather than grinding through mechanical patterns, which makes this genuinely rewarding to assign.

What to expect

Water in motion. The piece breathes through its undulations, never settling into rigid patterns even as the technical demands build. There's a meditative quality underneath the surface activity, with warm, slightly unexpected harmonies that feel both exotic and deeply musical.

Who it's for

This study works for intermediate to advanced pianists building facility with Villa-Lobos's harmonic language and lyrical writing. The piece suits students preparing for music school auditions or pianists wanting to expand beyond European romanticism into twentieth-century modernism with a distinctly Brazilian voice.

How to get the most out of it

  • Shape the larger phrases as you would in a lyrical work, resisting the impulse to treat this as a finger study. The 'wavy' character comes from breath in the phrasing, not just note-perfect execution.
  • Let the measure-to-measure wave carry momentum forward without rushing. Villa-Lobos writes rubato into the very DNA of this piece through his rhythmic contours.
  • Explore the harmonic color that emerges from the flowing lines. Brazilian influence shows in unexpected chord movement; lean into those moments rather than smoothing them away.

How to use it

Include this on a solo recital to represent twentieth-century modernism outside the European canon, or pair it with other Villa-Lobos works to build a compelling program arc. It also serves as a natural bridge in a concert that moves between classical and contemporary repertoire.

Skills your students will build

  • Legato voicing across hand position shifts
  • Phrasing and shaping in twentieth-century harmonic language
  • Brazilian rhythmic inflection and rubato
  • Sustaining lyrical intent through moderate technical figuration
  • Color and texture through pedal management in contemporary idiom

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