On This Day Earth Shall Ring Cover Image

On This Day Earth Shall Ring: Concert Band Conductor Score & Parts

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On This Day Earth Shall Ring Cover Image

On This Day Earth Shall Ring: Concert Band Conductor Score & Parts

Festive Processional on "Personent Hodie"

Melody from Piae Cantiones (1582) / arr. Scott Watson (BMI)

Grade: 3

Item: 00-49516

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Description
The 14th-century carol, "Personent hodie," is both mysterious and powerful. On This Day Earth Shall Ring---a festive processional on the ancient melody arranged by Scott Watson---explores both aspects. Beginning quietly, the modal tune emerges over a chant drone with rustic, medieval percussion. Before long, the piece takes on the joyous character alluded to in the tune's most familiar English text setting, "On This Day Earth Shall Ring" (written by composer, Jane Joseph, a student of Gustav Holst). As the work draws to an ebullient close, all the stops are pulled with resounding brass and ringing metallic percussion! Whether used as a striking concert opener or a jubilant final selection, On This Day Earth Shall Ring will add festive élan to your winter/holiday program! (3:28) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, On This Day Earth Shall Ring: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
ISBN10: 1-4706-4952-7
ISBN13: 978-1-4706-4952-4
UPC: 038081570303
SKU: 00-49516

More about this title

About the Composer: Piae Cantiones

Piae Cantiones is a 16th-century Finnish hymnal collection that preserved centuries of sacred choral music from medieval Europe. Originally compiled in Turku, Finland, the collection captures Latin liturgical songs and carols that might otherwise have been lost to history. The work remains a vital source for educators seeking authentic period repertoire and arrangements of early Christian music.

Why we love this

Scott Watson's arrangement captures the genuine magic of the "Personent hodie" melody by letting it breathe in two distinct soundworlds. The journey from hushed, modal purity into full festive brilliance gives your band a narrative arc that feels earned rather than imposed, making this equally strong as a concert opener or closer depending on what your program needs.

What to expect

Medieval mystery settling into unbridled joy. The piece begins as if you're hearing an ancient prayer echo through stone, then gradually builds into a celebration that spills into the concert hall with brass calls and shimmering percussion.

Who it's for

Band directors programming winter or holiday concerts who want something beyond standard carols. Grade 3 ensembles with secure intonation and modal music experience will find this both accessible and musically substantive.

How to get the most out of it

  • Balance the chant drone carefully in the opening; it should anchor the modal melody without overwhelming the exposed top voices.
  • Shape the transition into the energetic section deliberately. Rushing this moment flattens the emotional impact.
  • Let the metallic percussion ring freely in the final section. These colors are meant to be heard as distinct harmonic layers, not accompaniment.

How to use it

Open your winter concert with this to establish a thoughtful, festive tone. Its three-and-a-half-minute runtime makes it an ideal partner for either a longer work that needs breathing room before it or a series of shorter selections that benefit from a strong thematic anchor.

Skills your students will build

  • Reading and sustaining modal melodies (Dorian and related modes)
  • Balance and blend across contrasting instrumental colors and registrations
  • Breath control and phrasing in sparse textures with exposed parts
  • Rhythmic precision in the transition from chant-based writing to meter-driven material
  • Articulation clarity in energetic final sections with complex brass and woodwind lines

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