On the Horizon Cover Image

On the Horizon: Concert Band Conductor Score

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On the Horizon Cover Image

On the Horizon: Concert Band Conductor Score

By Katie O'Hara LaBrie

Grade: 1.5

Item: 00-50659S

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Description
This powerful work represents vision and hope, inspired by Katie O'Hara LaBrie's vision of a never-ending horizon. A beautiful opening suggests the sun rising on a new day before moving into a triumphant melody with uplifting woodwind interludes. The music embeds a strong sense that one can be ready for anything that lies ahead On the Horizon. (2:00)

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Additional Details
Series: MakeMusic Developing Band
Publisher: MakeMusic Publications
ISBN10: 1-4706-6041-5
ISBN13: 978-1-4706-6041-3
UPC: 038081577210
SKU: 00-50659S

More about this title

About the Composer: Katie O'Hara LaBrie

Katie O'Hara LaBrie

Katie O'Hara LaBrie brings fifteen years of orchestra teaching experience in Fairfax County, Virginia to her work as a composer, conductor, and clinician. She holds degrees from St. Olaf College (Bachelor of Music in Music Education) and George Mason University (Master of Music in Instrumental Conducting), where she studied with Steven Amundson and Anthony Maiello respectively. Her compositions have earned repeated selection as J.W. Pepper Editor's Choice and performances at major conferences including the Midwest Band and Orchestra Directors Clinic and the American String Teachers Association Conference.

LaBrie's creative voice draws deeply from her identity as an educator, with family and nature serving as additional sources of inspiration. She composes with three priorities: educational value, audience appeal, and above all, joy for the performers. Her commitment to music education earned her recognition in 2022 as one of Yamaha's "40 Under 40." She founded the Fairfax Chamber Players and co-created "the Big IDEA" practice method, bringing her philosophy of purposeful practice to students across multiple contexts.

Why we love this

LaBrie captures the essence of optimism and readiness without sentimentality, letting the musical imagery speak through clear orchestration and accessible harmonic language. At Grade 1.5, the piece demands nothing technically while delivering emotional substance, making it an ideal choice for bands looking to program something that feels genuinely uplifting rather than merely pleasant. The progression from sunrise to triumph gives conductors natural phrasing opportunities and students a tangible narrative to play toward.

What to expect

The opening establishes a serene landscape touched by the first light of dawn, with gentle instrumental voices suggesting emergence and possibility. As the work unfolds, energy and confidence build toward a bright, forward-looking climax that feels earned rather than imposed, leaving listeners and players alike with a sense of hopeful readiness.

Who it's for

Beginning and developing concert bands seeking a piece with genuine emotional content and clear expressive purpose. Directors working with Grade 1.5 ensembles will find a composition that respects young musicians' musicianship while offering genuine rewards for thoughtful preparation.

How to get the most out of it

  • Shape the opening sunrise section with gradual dynamic growth and careful attention to balance; the beauty lies in restraint and transparency rather than thick textures.
  • Guide the woodwind interludes with clarity about their role as conversation partners to the main melody, keeping them rhythmically precise without rushing the lyrical passages.
  • Bring the triumphant section into focus by ensuring all sections arrive together on the main melodic statement; this moment benefits from unified commitment across the band.

How to use it

Use this piece to open a concert program, setting a tone of optimism and intention for the entire event. It also works effectively as a contest or festival selection where accessibility and genuine artistry both matter, or as a featured work that demonstrates your developing ensemble's ability to shape phrase and color.

Skills your students will build

  • Shaping melodic phrases with dynamic control and direction
  • Balancing ensemble voicing across sustained and moving lines
  • Responding to conductor gesture for unified expression and timing
  • Listening for color and texture changes within an accessible harmonic framework

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