On a Clear Day: SSA Choral Octavo
(You Can See Forever)
Words by Alan Jay Lerner, music by Burton Lane / arr. Kirby Shaw
Item: 00-PO-0007195
Minimum order quantity: 20 copies
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More about this title
About the Composer: Burton Lane
Burton Lane (1912-1997) composed music for Broadway and Hollywood during the Golden Age of American musical theater. His melodic gift and sophisticated harmonic language shaped standards like "On a Clear Day" from the 1965 musical of the same name, which became iconic through both stage and film versions. Lane's work exemplifies the craft of the Great American Songbook, with melodies that are both singable and harmonically rich.
Lane collaborated with lyricist Alan Jay Lerner on several major works, bringing a composer's ear for vocal writing that serves singers without sacrificing musical complexity. His songs remain central to the jazz and popular music repertoire because they reward both careful interpretation and creative reharmonization.
Why we love this
Kirby Shaw's samba reimagining transforms a familiar standard into something fresh without losing the song's emotional core. The arrangement respects the melody while layering in unexpected textural moments—staggered entries, tight jazz voicing, and a scat section—that keep singers engaged and audiences delighted. For SSA ensembles especially, this piece offers a chance to sound polished and sophisticated while having genuine fun with the material.
What to expect
Sunny and propulsive, with the warmth of a familiar melody wrapped in rhythmic energy. The samba groove carries the piece forward with natural momentum, while moments of close harmony and the playful scat section create intimacy and humor. There's a lightness here that never sacrifices musicality or craft.
Who it's for
SSA choirs seeking repertoire that sounds contemporary and fun while remaining sophisticated. Ensembles comfortable with jazz vocabulary and syncopation will thrive with the scat writing and syncopated figures, making this ideal for show choirs, jazz ensembles, or advanced high school and college choirs.
How to get the most out of it
- Lock the tight jazz voicing on held notes by thinking vertically; stack the chords cleanly rather than letting voices drift independently, especially in the signature add-on section.
- Shape the syncopated scat riff as a single rhythmic gesture rather than three separate parts; light articulation and unified phrasing make the independence of voices feel intentional rather than fragmented.
- Let the brisk samba tempo work for you by keeping the energy conversational rather than frantic; the vigor comes from rhythmic precision, not speed.
- Use the recorded accompaniment to anchor the staggered entrances and feel the samba subdivision clearly; this will help singers trust their parts when they come in off the beat.
How to use it
Program this as a showcase for your SSA ensemble's jazz credentials, or use it as a concert brightener between more serious repertoire. The 16-page octavo and available instrumental parts make it equally at home in a pop choral series concert, a jazz night, or a mixed program celebrating American musical theater standards with contemporary flair.
Skills your students will build
- Reading and executing syncopated rhythmic figures
- Singing tight jazz voicing and stacked chords
- Scat singing and improvisation basics
- Balancing independent melodic lines within an ensemble
- Interpreting samba subdivision and groove
- Responding to staggered ensemble entries