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Olympia: Concert Band Conductor Score & Parts

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Olympia: Concert Band Conductor Score & Parts

By Brian Balmages

Grade: 1

Item: 98-B1270

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Description
This powerful fanfare captures the spirit of Olympia, the birthplace of the Olympic Games. The opening figure in the percussion is reminiscent of Aaron Copland and introduces the opening theme. As the theme seamlessly develops, the piece picks up tempo as snippets of the fanfare theme are interjected between lyrical statements in the woodwinds. Great (and flexible) percussion writing adds depth to the work. In addition to the regular part, an optional advanced snare drum part is included for accomplished percussionists. Bold sounds yet extremely playable!

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 674398218097
SKU: 98-B1270

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a career composing across orchestral, band, and chamber idioms, with his works performed by everyone from professional ensembles at Carnegie Hall and the Kennedy Center to beginning bands in school gymnasiums. He was awarded the A. Austin Harding Award from the American School Band Directors Association, claimed the 2020 NBA William D. Revelli Composition Contest, and holds membership in the American Bandmasters Association. His music appeared in the 2013 Presidential Inaugural Prayer Service, and he has received commissions from institutions including the University of Miami.

As a conductor, Balmages maintains an active schedule guest conducting at all-state ensembles, university groups, and professional orchestras worldwide. His conducting appearances span the Midwest Clinic, Western International Band Clinic, and conferences across the United States and internationally. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages writes for Grade 1 bands without condescension or simplification. The opening percussion figure carries genuine character, the harmonic language moves naturally through key areas, and the optional advanced snare drum part gives you a built-in differentiation tool for your section without requiring separate arrangements. It's a contest piece that doesn't need to prove anything.

What to expect

A celebration with genuine grandeur. The opening has the architectural strength of Americana fanfare writing, but the piece never loses its lyricism as the woodwinds step forward with singing lines that balance the percussion-driven opening. Energy builds naturally rather than feeling forced.

Who it's for

Beginning concert bands ready for material that sounds bigger than its difficulty level. Bands preparing for contests or festivals will find a piece that's musically substantive and playable within a reasonable rehearsal timeline.

How to get the most out of it

  • Let the opening percussion establish the character before the winds enter. That Copland-influenced figure needs space to breathe and set the tone for everything that follows.
  • Balance the fanfare snippets against the lyrical woodwind statements by having your first clarinet and first alto sax step forward during those singing sections, then reset when the percussion interjection returns.
  • Assign the optional advanced snare drum part strategically. Choose a player who reads comfortably and enjoys the responsibility; this part will develop precision and independence while keeping strong readers engaged.

How to use it

Open a concert with this to grab attention immediately, or place it mid-program where a shift in energy lifts the evening. The flexibility and playability make it an ideal contest selection for bands looking for something with both substance and confidence.

Skills your students will build

  • Balancing rhythmic precision with lyrical phrasing across multiple thematic ideas
  • Reading and executing tempo changes that support musical storytelling
  • Performing extended percussion writing that requires coordination and clarity
  • Sectional independence when fanfare figures and melodic statements occur simultaneously

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