Old Tale Cover Image

Old Tale: Piano Sheet

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Old Tale Cover Image

Old Tale: Piano Sheet

By Lynn Freeman Olson

Level: Intermediate

Item: 00-2380

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Description
The left hand will be featuring the haunting melodic line in most of this D minor, 4/4, andante composition. During the playing of the main theme, the right hand plays quietly in block chords, but then has its turn with the melody in the 2nd section. There are many crescendos and diminuendos, and nice opportunities for expressive phrasing. A Federation Festivals 2016-2020 selection. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Old Tale: Piano Sheet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 4
ISBN10: 1-4706-3085-0
ISBN13: 978-1-4706-3085-0
UPC: 038081027340
SKU: 00-2380

More about this title

About the Composer: Lynn Freeman Olson

Lynn Freeman Olson earned recognition as a prolific composer and arranger whose works span multiple genres and skill levels. Her compositions appear regularly on festival selections and music education curricula, reflecting her deep understanding of pedagogical needs and performance contexts.

Why we love this

Old Tale balances technical accessibility with genuine expressive depth. The hand-crossing design gives intermediate pianists a real reason to shape two distinct musical voices within a single piece, and the dynamic markings demand interpretive choice rather than rote execution.

What to expect

A reflective, slightly mysterious landscape painted in D minor. The left hand's initial prominence creates an introspective quality, while the gradual shift to the right hand brings a subtle warmth. Dynamic swells and fades keep the piece alive without breaking its contemplative mood.

Who it's for

Intermediate pianists ready to manage hand independence and coordinate two different textural roles simultaneously. This works well for students developing comfort with minor tonality and expressive dynamic control.

How to get the most out of it

  • Shape the left-hand melody with the same care you would give a soprano line; this haunting voice carries the emotional weight of the first section regardless of its lower register.
  • Let the right-hand block chords stay genuinely soft during the opening theme so the left hand emerges clearly and the textural shift in section two feels earned.
  • Treat each crescendo and diminuendo as a deliberate emotional arc rather than mechanical dynamic changes; mark the score with specific arrival points or phrase shapes to guide your pacing.
  • Exploit the transition to the right-hand melody by allowing a subtle tempo lift or textural lightness to signal the shift without abandoning the andante frame.

How to use it

Program this in a student recital alongside lighter baroque or classical works to showcase expressive range and minor-key voice leading. Its moderate length and intermediate demands make it an ideal choice for festival or competition play within the intermediate categories.

Skills your students will build

  • Hand independence and voice balance in minor tonality
  • Dynamic shaping across crescendo and diminuendo passages
  • Expressive phrasing and interpretive choice in andante tempo
  • Left-hand melodic control and articulation in lower register
  • Textural awareness when shifting primary melodic material between hands

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