Old MacDonald Had a Farm Cover Image

Old MacDonald Had a Farm: Conductor Score & Parts

$90.00 USD
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Old MacDonald Had a Farm Cover Image

Old MacDonald Had a Farm: Conductor Score & Parts

By Leroy Anderson

Item: 36-A909890

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Description
An American Pops classic in its original scoring, this work is a fun and excellent feature for the percussion section, sure to get a laugh out of both the musicians and the audience.  Instrumentation: 3.2+EH.2+BCl.2+CBsn: 4.4.3.1: Timp.Perc(4 or5): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
UPC: 660355007712
SKU: 36-A909890
Instrumentation: 3, 2+1, 2+1, 2+1 - 4, 4, 3, 1, timp, perc, str

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908, 1975) was an American composer and conductor who became one of the most performed orchestral composers of the 20th century. His gift for melody and orchestration made him a favorite of both concert audiences and film studios, and his ability to write music that was genuinely witty without being condescending set him apart from his contemporaries.

Anderson's strength lay in his mastery of orchestral color and rhythmic vitality. He understood every section intimately, which is why his scores remain so gratifying to rehearse and perform. His works appear regularly on pops concerts worldwide, a testament to their durability and immediate appeal.

Why we love this

Anderson's orchestration here is a masterclass in balance and clarity. The percussion writing is genuinely funny without overshadowing the melodic line, and the whole ensemble texture remains buoyant and transparent even at full force. Audiences consistently respond to this piece with genuine delight, and your musicians will feel the infectious energy coursing through the score.

What to expect

Bright, playful, and full of personality. Anderson takes a nursery rhyme and transforms it into a sophisticated miniature that bounces along with genuine charm. The orchestration sparkles, the rhythms snap, and there's an undeniable sense of delight in every phrase.

Who it's for

Community orchestras, youth ensembles, and chamber orchestras looking for a crowd-pleasing feature that doesn't compromise musical substance. The percussion writing offers solo opportunities without requiring virtuosic technique, making it ideal for building confidence in younger players while keeping the piece rewarding for advanced musicians.

How to get the most out of it

  • Give the percussion section room to breathe and articulate cleanly. Their rhythmic precision is what makes the humor land; rushing or muddying the attacks weakens the effect.
  • Keep the string section nimble in the faster passages. Anderson's string writing is conversational, not lush, so resist any urge to over-sustain or crescendo beyond what the score indicates.
  • Balance the woodwind solos carefully during the thematic statements. They're meant to be heard distinctly, not blended into the background.
  • Lock the tempo early in rehearsals and maintain it throughout. The charm of this piece depends partly on its rhythmic confidence and forward motion.

How to use it

This works beautifully as a closer for a pops concert or as a palate-cleanser between heavier works on a classical program. It's also an excellent choice for family concerts or educational performances where you want to demonstrate orchestral technique and color without asking your audience to sit through anything austere.

Skills your students will build

  • Rhythmic precision and ensemble tightness in fast-moving passages
  • Balance and blend across multiple sections in transparent textures
  • Percussion articulation and dynamic control
  • Responding to conductor cues in a conversational, chamber-like orchestral setting

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