Old MacDonald Had a Farm Cover Image

Old MacDonald Had a Farm: Conductor Score

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Old MacDonald Had a Farm Cover Image

Old MacDonald Had a Farm: Conductor Score

By Leroy Anderson

Item: 36-A909801

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Description
An American Pops classic in its original scoring, this work is a fun and excellent feature for the percussion section, sure to get a laugh out of both the musicians and the audience.  Instrumentation: 3.2+EH.2+BCl.2+CBsn: 4.4.3.1: Timp.Perc(4 or5): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63887-268-6
ISBN13: 978-1-63887-268-9
UPC: 660355116391
SKU: 36-A909801
Instrumentation: 3, 2+1, 2+1, 2+1 - 4, 4, 3, 1, timp, perc, str

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor who became famous for his orchestral pops arrangements and original light classical works. His gift for orchestration and infectious melodic writing made him a staple of American concert bands and orchestras throughout the mid-20th century. Anderson's ability to write music that entertained audiences while respecting the capabilities of community ensembles cemented his legacy as one of the most performed American composers in educational and professional settings.

Why we love this

Anderson's arrangement transforms a nursery rhyme into a vehicle for percussion virtuosity without sacrificing the humor that makes this piece irresistible to both performers and audiences. The original scoring respects the full orchestra while giving the percussion section the spotlight it deserves, making this an excellent choice when you want to showcase your rhythm section players and keep the energy playful.

What to expect

Charming and lighthearted, with a mischievous energy that invites the listener into the joke. The familiar melody and orchestral colors create an accessible soundscape, while the percussion antics add surprise and delight that breaks the formality of a concert setting.

Who it's for

This work suits orchestras at the intermediate level and above who want a crowd-pleasing feature that doesn't require virtuosic solo writing. It's particularly valuable for community orchestras, youth orchestras, and educational ensembles looking to balance serious repertoire with something that keeps audiences engaged and musicians smiling.

How to get the most out of it

  • Establish a conversational relationship between the woodwind soloists and percussion. The dialogue between instruments is what sells the comedy, so rehearse those exchanges separately before bringing sections together.
  • Balance the percussion color: with 4-5 players handling multiple instruments, clarity matters more than volume. Underscore the melodic line carried by the orchestra rather than overwhelming it.
  • Let the tempo breathe naturally. Anderson's pops style thrives on rhythmic buoyancy, but resist rushing the famous animal sound effects and percussion hits for maximum comedic impact.
  • Feature each percussion voice: timpani, mallets, and unpitched percussion each have distinct moments. Make sure your percussion setup allows for easy transitions so nothing gets lost in the score's frequent instrumental changes.

How to use it

Position this as a centerpiece for a lighter half of a concert or as a palate cleanser between weightier works. Its familiarity makes it an excellent audience engagement tool while still showcasing orchestral craftsmanship, making it ideal for family concerts or educational performances where you want to maintain musical credibility without demanding intense focus.

Skills your students will build

  • Executing rhythmic precision across multiple percussion instruments
  • Responding to conductor cues for comedic timing and ensemble coordination
  • Managing quick instrument changes and sound effect production
  • Balancing a melodic line carried by full orchestra while highlighting percussion color
  • Performing articulated rhythmic figures with clarity and confidence

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