Of Emperors and Chariots Cover Image

Of Emperors and Chariots: Concert Band Conductor Score

$10.50 USD
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Of Emperors and Chariots Cover Image

Of Emperors and Chariots: Concert Band Conductor Score

By Brian Balmages

Grade: 5

Item: 98-B1019S

$10.50
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Description
This thrilling fanfare by Brian Balmages will set the stage for your entire concert. The audience is taken back to the time of the Roman Empire, with the sounds of the parades that preceded the chariot races. (3:30)

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Additional Details
Series: FJH Symphonic Band
Publisher: The FJH Music Company, Inc.
UPC: 241444455418
SKU: 98-B1019S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a career as both composer and conductor working across orchestral, band, and chamber idioms. His works have been performed by ensembles ranging from professional symphony orchestras to school groups at venues including Carnegie Hall, the Kennedy Center, and the Sydney Opera House. He received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest. His music was performed at the 2013 Presidential Inaugural Prayer Service, and he has been commissioned by major institutions including the University of Miami for presidential inaugural music.

Balmages is an elected member of the American Bandmasters Association and has received the James Madison University Distinguished Alumni Award. As a guest conductor, he regularly appears with all-state and regional ensembles, university groups, and professional orchestras worldwide, with notable engagements at the Midwest Clinic, Western International Band Clinic, and international music conferences. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages knows how to command a concert hall from the opening downbeat, and this fanfare proves it. The evocative Roman imagery gives your students a vivid dramatic context to perform toward, while the Grade 5 scoring sits perfectly at the level where bands can execute the impact without overreaching technically. It's an effective programming anchor that signals to your audience they're in for something special.

What to expect

Imagine the thundering approach of Roman chariots echoing across ancient amphitheaters. The music crackles with pageantry and ceremonial grandeur, moving with the energy of a vast procession while maintaining musical coherence. It's thrilling and accessible, building a sense of occasion that invites your audience in immediately.

Who it's for

Bands working at Grade 5 level who want a concert opener with visual and dramatic power. This works well for programs where you need a showstopper that doesn't sacrifice musical substance, and it's equally at home in a festival setting or opening night of your concert season.

How to get the most out of it

  • Shape the opening fanfare with clear dynamic contrast. The ceremonial brass writing depends on precise control of volume to convey majesty rather than just loudness.
  • Lock the rhythmic articulation across the full band, particularly in passages where the accompaniment supports thematic material. Crisp tonguing in the winds strengthens the parade-like character.
  • Balance the melodic voices against the harmonic foundation. This piece works best when listeners follow the primary themes clearly, so ensure your solo voices (whether trumpet, trombone, or clarinet) project over the full texture.

How to use it

Open your concert with this piece to establish momentum and grab attention from the first note. Its three-and-a-half minute length makes it ideal pacing before a longer feature or classical work, and the historical imagery pairs well with other dramatic or narrative-driven selections. For festivals, it showcases your band's ability to project excitement and technical control in a substantial opener.

Skills your students will build

  • controlling dynamic intensity in fanfare writing
  • maintaining rhythmic precision across multiple articulations
  • balancing thematic material with accompaniment texture
  • interpreting historical or programmatic context musically
  • executing sustained ensemble sound with clarity and projection

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