Octopuses All Have 8 Cover Image

Octopuses All Have 8: Piano Sheet

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Octopuses All Have 8 Cover Image

Octopuses All Have 8: Piano Sheet

By Catherine Rollin

Level: Early Elementary

Item: 00-18981

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Description
This series of collectible solos by Catherine Rollin is for beanbag animal lovers of all ages. The pieces, which vary in difficulty from early to late elementary, have attractive covers and fun lyrics to sing. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Octopuses All Have 8: Piano Sheet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Bean Bag Zoo
Publisher: Alfred Music
Page Count: 4
UPC: 038081169521
SKU: 00-18981

More about this title

About the Composer: Catherine Rollin

Catherine Rollin

Catherine Rollin combines an active performing career with mentoring accomplished students, having presented workshops and masterclasses across more than 200 cities throughout the United States, Canada, Japan, and Taiwan. She holds a Bachelor of Musical Arts degree with distinction from the University of Michigan and a Master of Music degree from Oakland University School of Performing Arts.

Rollin's compositions have earned recognition from major music education organizations, including commissions from Clavier Companion magazine, the Music Teachers National Association (MTNA), and the Michigan Music Teachers Association. Her work appears regularly in the National Federation of Music Clubs Festivals Bulletin, and she has served as a judge for the MTNA Student Composition Competition and the Lynn Freeman Olson Composition Contest. In 2018, she received a commission from MTNA's From the Pen to the Premiere series, resulting in Suite Detroit for flute, alto saxophone, and piano, which premiered at the MTNA national conference in Orlando. The Steinway Society featured her that same year in concert as both composer and pianist, showcasing her ASCAP award-winning Museum Masterpieces series.

Why we love this

Rollin's gift for creating musically engaging material that appeals to young pianists without sacrificing compositional integrity shines in this solo. The piece pairs playful subject matter with genuine musical interest, making it rewarding to teach and fun to perform. Recognition as a Federation Festivals selection confirms its quality and appropriateness for young musicians preparing for performance opportunities.

What to expect

A charming, whimsical exploration of an undersea creature, brought to life through Rollin's approachable musical language. The combination of playful melody and supporting accompaniment creates an inviting, lighthearted atmosphere that makes young pianists smile while they learn.

Who it's for

Young pianists in the early elementary years who respond well to descriptive, character-driven pieces and enjoy singing or reciting lyrics while playing. The four-page length and varied early elementary difficulty make it accessible for students building technical confidence and interpretive skills.

How to get the most out of it

  • Balance the melody line so the clever lyrics come through clearly, even as your hands work out the accompanying figures.
  • Use the fun subject matter to inspire expressive phrasing; let the character of the octopus inform how you shape musical phrases.
  • Practice hands separately until the rhythmic patterns feel natural, then focus on evenness and clarity when bringing them together.

How to use it

Include this in a student recital or informal performance where young pianists can shine in a piece full of character and charm. It also works beautifully in a spring or early summer concert themed around nature, animals, or imagination, providing welcome variety alongside more traditional repertoire.

Skills your students will build

  • Reading and maintaining a steady tempo in early elementary time signatures
  • Coordinating melody and accompaniment between hands
  • Bringing character and expression to programmatic music
  • Sustaining focus across a complete solo form
  • Confidence performing pieces selected for festival competition

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