O Come, All Ye Faithful - Adeste Fidelis: Brass Quintet Conductor Score & Parts

Treybig's arrangement respects the carol's congregational roots while giving your brass section genuinely exciting material. The optional choir and organ create multiple performance possibilities within a single score, letting you program flexibly depending on whether you're working with singers; the cued brass parts mean you lose nothing by performing without them. At this level, your quintet players navigate colorful brass writing, descants, and ensemble sonority without losing sight of what makes this carol resonate with audiences.

Festive and reverent at once, moving from a brilliant opening through moments of warmth and reflection before building to a joyful, brass-driven finale. The interplay of solo and tutti textures creates dynamic interest while Wade's melody remains the unmistakable heart throughout. This is a carol arrangement that feels both celebratory and substantial.

Brass quintet programs at intermediate-advanced levels seeking substantial Christmas repertoire that works in both church and concert settings. Directors who want flexibility between all-instrumental performance and versions with optional choir and organ will find this arrangement particularly practical. Church musicians with developing brass ensembles also benefit from the cued parts that allow performance without additional singers.

• Balance the opening fanfare so it lands as a bright welcome rather than overwhelming the entrance of the melody. The organ and choir (if present) need space to come through clearly.
• Shape the unison melody in the organ/trio verse with a singing tone, letting the organ's accompaniment provide harmonic warmth while brass voices move transparently underneath.
• Lock the final verse's descants to the main melodic line precisely. These brass ornamentations only sparkle when rhythmic alignment is secure.
• Use the interlude as a moment for the ensemble to reset articulation and blend before the climactic final verse. A clean breath and renewed focus shift the energy forward.

Program this as a centerpiece in a Christmas concert's second half, where a longer, multi-section work can anchor an evening of holiday music. It also works well as a bridge between instrumental and choral segments, especially if your brass quintet performs the instrumental-only version while a larger group tackles the full score with choir. Its moderate length (3:25) and sophisticated sound make it equally valuable in church services, concert halls, and seasonal fundraising events.

• Blend and balance in exposed quintet textures, particularly when navigating ensemble writing beneath unison melody
• Sustaining musical line through multiple verses with varied accompaniment and textural change
• Precision rhythmic alignment in brass descants and ornamentation
• Dynamic control and phrasing at Difficult level within a metric and harmonic structure students already know