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O Canada: Alto, Tenor & Baritone Saxophones (AATB) Score & Parts

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O Canada: Alto, Tenor & Baritone Saxophones (AATB) Score & Parts

By Calixa Lavallée / arr. David Marlatt

Level: Medium

Item: 81-SQ1052

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Description
This is an arrangement of Canada's national anthem. It features some colorful contemporary harmonies. It could be used to perform the anthem alone, or it could be sung.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 8
ISBN10: 1-55473-653-6
ISBN13: 978-1-55473-653-9
UPC: 685462016549
SKU: 81-SQ1052
Instrumentation: Alto, Tenor & Baritone Saxophones (AATB)

More about this title

About the Composer: Calixa Lavallée

Calixa Lavallée (1842-1891) was a Canadian composer, pianist, and conductor whose work shaped the musical identity of his nation. Born in Quebec, he studied in France and the United States before returning to Canada, where he composed the melody that would become the country's national anthem in 1880. His contributions extended beyond this iconic work; he founded musical institutions, conducted orchestras, and composed chamber music that reflected both European training and Canadian sensibility.

Why we love this

Marlatt's arrangement breathes new life into this familiar anthem by adding contemporary harmonic color while respecting the melody's dignity. The AATB voicing sits naturally across the saxophones and creates sonorities that feel both fresh and grounded. It's the kind of arrangement that works whether you're opening a ceremony or taking a genuine artistic statement to the concert stage.

What to expect

Stately and familiar at first, then surprising. The melody you know unfolds over harmonies that shift and shimmer in ways that feel both modern and inevitable. There's reverence in the writing, but not stiffness; the saxophones sing the anthem rather than merely stating it.

Who it's for

Saxophone quartets with solid ensemble experience who want to explore the national anthem beyond standard treatments. This works for players comfortable with medium-level difficulty and willing to commit to the contemporary harmonic language Marlatt employs. It's equally suitable for concert programming, ceremonial occasions, or educational contexts exploring how arrangement can honor tradition while advancing artistry.

How to get the most out of it

  • Balance the alto and tenor parts carefully in the upper register; the alto carries much of the melody in the opening phrases and needs projection without drowning out the tenor's supporting lines.
  • Let the contemporary harmonies breathe. Resist the temptation to rush; Marlatt's chords deserve space to land and resonate.
  • The baritone saxophone anchors the sound throughout. Ensure steady, well-supported tone in the lower register, particularly in passages where it holds foundational harmonies.
  • If this arrangement is performed alongside a vocal version, coordinate dynamics and phrasing in advance so the two renderings feel intentional rather than competing.

How to use it

Open a concert or community event with this arrangement to ground the audience in shared identity, then move into related concert works. It pairs well with other patriotic or multicultural pieces, or stands alone as a meaningful curtain-raiser. Consider performing both this instrumental version and a vocal arrangement back-to-back to explore how Lavallée's melody adapts across media.

Skills your students will build

  • Balancing melody and accompaniment in four-part writing
  • Sustaining ensemble cohesion over contemporary harmonic progressions
  • Tuning and blending in close voicings on saxophone
  • Musical interpretation of a familiar work in a new arrangement

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