Nutcracker, The, Op. 71, No. 9: Waltz of the Snowflakes Cover Image

Nutcracker, The, Op. 71, No. 9: Waltz of the Snowflakes: Full Orchestra, Ensemble Works, Conductor Score

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Nutcracker, The, Op. 71, No. 9: Waltz of the Snowflakes Cover Image

Nutcracker, The, Op. 71, No. 9: Waltz of the Snowflakes: Full Orchestra, Ensemble Works, Conductor Score

By Peter Ilyitch Tchaikovsky

Item: 36-A628101

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THE NUTCRACKER is a two-act "fairy ballet" written by Peter Ilyitch Tchaikovsky (1840-1893). Based on E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King," the original 1892 production, choreographed by Marius Petipa and Lev Ivanov in Saint Petersburg, was not considered a success, although the 20-minute suite extracted by the composer was. Starting in the 1960s, the popularity of the full ballet has grown enormously, with frequent performances every Christmas season among the major ballet companies. No. 9: "Waltz of the Snowflakes" closes Act I, accompanying Clara and the Nutcracker Prince's magical journey into the Land of Snow. The music unfolds as a sweeping orchestral waltz, with glittering textures and graceful rhythms that evoke a flurry of snowflakes dancing in dazzling patterns. Today, it is celebrated as one of the ballet's most enchanting moments, showcasing Tchaikovsky's gift for atmosphere, orchestral color, and unforgettable melody. Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(2): Str (9.8.7.6.5 in set). Reprint edition.

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Additional Details
Series: Kalmus Ballet Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810388-3
ISBN13: 979-889-810-3880
UPC: 605258723703
SKU: 36-A628101
Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(2): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Peter Ilyitch Tchaikovsky

Peter Ilyitch Tchaikovsky (1840-1893) stands as one of the most performed composers in concert halls and ballet theaters worldwide. A Russian Romantic master, he composed across all major genres—symphonies, concertos, operas, and ballets—with a gift for sweeping melody and vivid orchestral color that made his music immediately accessible to audiences while remaining sophisticated in construction.

Why we love this

This movement encapsulates everything Tchaikovsky does best: orchestral writing that's both transparent and lush, memorable melody that students hear and remember, and a harmonic language that feels inevitable without being predictable. A conductor score of this caliber gives your orchestra a genuine window into professional ballet orchestration, complete with all the color, balance, and dramatic arc that makes Tchaikovsky's work endure.

What to expect

Graceful and ethereal, yet undeniably grand. The waltz unfolds with sweeping string lines and flowing woodwind passages that evoke wind-driven snow, while brass and percussion add warmth and sparkle without breaking the magical spell. It's music that glides forward with effortless elegance, full of the pageantry and wonder that defines this scene.

Who it's for

Conductors leading a full orchestra or advanced concert band program who want to tackle Tchaikovsky's original orchestration with all its instrumental complexity and color. This score serves serious ensembles preparing either the complete ballet suite or programming individual movements as showpiece concert music.

How to get the most out of it

  • Shape the phrase architecture across the full 20-minute suite context so that this waltz feels like the climactic release after the Land of Sweets rather than a static display piece.
  • Balance the string figurations so the violins' rippling passages remain audible without overwhelming the brass and wind soloists who carry the primary melody lines.
  • Work the tempo with your dancers or conduct to a clear visual reference; the waltz pulse must remain steady even as ornamental passages accelerate or hesitate slightly.
  • Let the percussion color (especially the bells and glockenspiel parts) shine in the full orchestra texture without swamping them; these details are what create the 'glittering' quality Tchaikovsky notates.

How to use it

Program this as a standalone concert work in a Romantic-era showcase or as part of a complete ballet suite performance. It works exceptionally well as a winter concert anchor, particularly when paired with other orchestral works that highlight color and orchestration. Include it when your orchestra needs to demonstrate both technical ensemble control and the musicianship required for ballet accompaniment.

Skills your students will build

  • Reading complex full-orchestra scores with doubling and independent voice leading across eight orchestral families
  • Balancing transparent, sustained orchestral textures while maintaining harmonic clarity
  • Conducting and executing waltz rhythms (3/4) with the dramatic shape and sweep of a larger form
  • Understanding orchestral color through period-authentic instrumentation (piccolo, English horn, bass clarinet, harp, bells)
  • Ensemble coordination across disparate instrumental groups maintaining rhythmic and tonal unity

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