Nothing's Gonna Stop Us Now Cover Image

Nothing's Gonna Stop Us Now: Choral Octavo SoundTrax CD

$27.99 USD
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Nothing's Gonna Stop Us Now Cover Image

Nothing's Gonna Stop Us Now: Choral Octavo SoundTrax CD

As Recorded by Starship

Words and music by Diane Warren and Albert Hammond / arr. Alan Billingsley

Item: 00-41881

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Description
"We can build this thing together, standing strong forever." Originally recorded by the band Starship, this Oscar-nominated number one Billboard hit also featured Grace Slick. Use the hot SoundTrax CD for the authentic eighties sound.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081469614
SKU: 00-41881

More about this title

About the Composer: Diane Warren

Diane Warren is one of the most prolific songwriters in modern music history, with a career spanning four decades of crafting chart-topping hits across pop, rock, and R&B. Her work has earned multiple Grammy and Academy Award nominations, and her songs have been recorded by artists ranging from Cher to Lady Gaga. Warren's gift lies in writing melodies that lodge themselves in the listener's memory while pairing them with lyrics that resonate emotionally, a combination that has made her compositions standards in both the recording studio and the concert hall.

Why we love this

Alan Billingsley's arrangement captures the synth-driven energy of the original without stripping away the song's emotional core. The SoundTrax CD delivers an unmistakably authentic eighties production that immediately transports singers and audiences alike, making this a standout choice for programs that want contemporary appeal without sacrificing vocal musicality.

What to expect

Pure eighties optimism delivered through a wall of synthesizer sound. The arrangement glides between intimate vocal moments and explosive unison hits, creating the feel of a stadium sing-along compressed into an octavo score.

Who it's for

Choirs seeking contemporary material that actually engages audiences, particularly programs preparing for pops concerts or community performances where recognizable hits matter. This also works well for directors building confidence in singers who are newer to choral music by choosing repertoire they already love.

How to get the most out of it

  • Let the recorded accompaniment's arrangement guide your tempo and phrasing; the synth textures create natural breathing points that differ from purely acoustic voicings.
  • Balance the melody line with supporting voices so the hook remains crystal clear, especially during the famous refrain where harmony can easily overshadow the hook.
  • Drill the rhythmic precision of the pop articulations separately; the chart's style demands a tightness that classical warm-ups alone won't build.

How to use it

Slot this into a pops or light classics concert as a high-energy centerpiece, or use it to frame a set of contemporary music alongside similar-era chart hits. The recorded accompaniment's polish makes it equally effective as a season-closer or audition demonstration piece where you want immediate impact.

Skills your students will build

  • Pop vocal style and contemporary articulation techniques
  • Singing in unison and simple harmony with precise rhythmic alignment
  • Maintaining tuning under amplified, synth-heavy accompaniment
  • Balancing melody-driven singing with harmonic support

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