Nothing Rhymes with Christmas: SSA Choral Octavo
Words and music by Julian R. Fleisher / arr. Lisa DeSpain
Item: 00-PO-0007084
Minimum order quantity: 20 copies
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Why we love this
Ana Gasteyer's comedic timing translates brilliantly into music here. Fleisher's jazzy setting gives your singers permission to play with the absurdity of the lyrics, and the humor lands even better when an ensemble delivers those punchlines together. It's the kind of piece that gets genuine laughs in performance without sacrificing musicality.
What to expect
Clever and playful, with the warmth of a comedy sketch performed in harmony. The jazz idiom keeps things sophisticated enough that the humor reads as witty rather than cheesy, and the emotional payoff of the final lyric gives the whole piece genuine heart underneath the laughs.
Who it's for
SSA choirs looking for a showstopper that entertains the audience without winking condescendingly. This works for holiday concerts, family-friendly performances, or any program where singers genuinely want to have fun singing together.
How to get the most out of it
- Keep the jazz articulation light and bouncy. The humor depends on rhythmic precision, so lock the ensemble's note attacks together and let them breathe between phrases for maximum comedic effect.
- Lean into the vocal percussion or recorded accompaniment to nail those rhythmic grooves. The groove drives the whole joke, so let your singers feel it rather than fight it.
- Balance solo moments with the full ensemble sound. If you're using the recorded accompaniment, rehearse your singers to stay conversational during the attempted rhyming section, then come together with confidence for the finale.
How to use it
Place this as a show-closing or show-opening number on a holiday concert. Its energy and humor make it ideal for lifting the mood between more traditional sacred or sentimental pieces, and audiences consistently respond with real laughter.
Skills your students will build
- Jazz articulation and swing rhythm
- Rhythmic precision in comedic timing
- Blending voices in contemporary harmonic language
- Interpreting text with personality and ensemble unity