Nothing Rhymes with Christmas: SAB Choral Octavo
Words and music by Julian R. Fleisher / arr. Lisa DeSpain
Item: 00-PO-0007083
Minimum order quantity: 20 copies
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Why we love this
This piece captures the comedic magic of Ana Gasteyer's original recording while giving your choir a chance to deliver humor with musical sophistication. The jazzy arrangement by Lisa DeSpain keeps the energy high without overwhelming singers at the SAB level, and the novelty concept gives everyone permission to have genuine fun in performance.
What to expect
Clever and conversational, with a jazzy swagger that builds through failed attempts at clever wordplay. The piece walks a tightrope between laugh-out-loud humor and surprising emotional sincerity, landing in a place that feels both entertaining and oddly touching.
Who it's for
Choirs looking for a sophisticated novelty number that appeals to adult and teen singers alike. The SAB voicing keeps parts accessible while the comedy and jazz idiom demand confident singers who can balance humor with musical intention.
How to get the most out of it
- Commit fully to the comedy. The one-liners and failed rhyme attempts land only when singers understand they're part of a joke that builds through the song. Work through the lyrics conversationally in rehearsal so the narrative arc feels organic.
- Balance the jazz feel with clarity. The syncopated rhythms need to lock in rhythmically, but not so rigidly that they lose their playful swing. Use light articulation to keep the groove loose.
- Shape the conclusion deliberately. The final message ("we don't need a rhyme for Christmas, only you") shifts emotional tone entirely. Prepare singers to find genuine warmth here without losing the groove.
How to use it
This works as a centerpiece for a holiday concert segment that leans into secular, contemporary holiday music rather than traditional carols. It pairs well with other pop-influenced holiday arrangements and gives audiences permission to smile and relax into the season.
Skills your students will build
- Rhythmic accuracy in syncopated, jazz-inflected passages
- Comedic timing and phrasing in ensemble context
- Balance between rhythmic precision and expressive swing
- SAB part independence and voice leading in three-part mixed voicing
- Understanding lyrical narrative and emotional arc across a longer piece