Not Just Another Jazz Book, Book 3 Cover Image

Not Just Another Jazz Book, Book 3: Piano Book & Online Audio

$8.99 USD
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Not Just Another Jazz Book, Book 3 Cover Image

Not Just Another Jazz Book, Book 3: Piano Book & Online Audio

8 Original Piano Solos With Optional CD Accompaniments

Arranged by Mike Springer

Level: Late Intermediate

Item: 00-40529

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Description
From captivating ragtime to smoky blues, the Not Just Another Jazz Book series has it all. The carefully graded arrangements are perfect for concerts, parties and recitals, or they can be used simply for fun. The books are truly unique because they contain accompanying recordings that feature bass and drum parts to create the sense of playing in a jazz trio. Pianists can play along with the recordings at both practice and performance tempos. Book 3 features selections at the late intermediate level. Titles: Ballad for Christian * Ballroom Big Band * Cruising Down the Coast * Far Away Friend * Fiesta! * Hot Summer Hop * Saturday Morning Jam * Tropical Dreams.

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Sample Pages

Sample Audio
1 Saturday Morning Jam --:--
2 Tropical Dreams --:--

Saturday Morning Jam

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Sample Video
Additional Details
Series: Not Just Another
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9371-1
ISBN13: 978-0-7390-9371-9
UPC: 038081452357
SKU: 00-40529

More about this title

Why we love this

Springer strips away the intimidation factor that keeps many pianists away from jazz. These arrangements land in that sweet spot where students can sound genuinely musical without being overwhelmed by complex voicings or lightning-fast runs. The built-in trio accompaniment transforms what could be a solitary practice session into the real experience of playing with other musicians.

What to expect

Cruising, playful, and grounded in authentic jazz vernacular. Whether you're stepping into a tropical breeze or hopping through a Saturday morning groove, these arrangements capture the warmth and approachability that makes jazz enduring. The recordings give each piece a lived-in quality, like you're joining a session that's already in swing.

Who it's for

Late intermediate pianists ready to explore jazz idioms with real stylistic context. These pieces work equally well for students working toward jazz certifications, pianists looking to expand their recital repertoire beyond classical standards, and anyone who wants to understand how swing, blues, and ragtime actually feel when played alongside bass and drums.

How to get the most out of it

  • Let the recorded bass line anchor your time feel, especially in the swing numbers. Your left hand should dialogue with it, not fight it.
  • Balance your melody voice with intention. In the ballad selections, your top note should sing above the accompaniment without drowning it out.
  • Experiment with both tempos before settling on one for performance. The practice tempo is your friend for getting the phrases under your fingers; the full tempo reveals what the music is actually meant to feel like.
  • Listen for the drum ghost notes and brush sounds on the recordings. They'll show you exactly where the pocket sits in each style.

How to use it

Insert these throughout the year as palette cleansers between heavier classical works, or build an entire contemporary jazz concert around them. They work especially well as bridge pieces for younger students transitioning into jazz studies, and their accessible sophistication makes them solid recital choices for pianists who want to showcase style without sacrificing musicality.

Skills your students will build

  • Jazz swing feel and articulation across eighth-note patterns
  • Blues scale application and blue note expression
  • Syncopated rhythmic accuracy in ragtime idioms
  • Comping and accompaniment listening
  • Maintaining time and groove independence from recorded rhythm section
  • Style-specific pedal technique and tonal color matching

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