Norwegian Suite Cover Image

Norwegian Suite: Woodwind Quintet Score & Parts

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Norwegian Suite Cover Image

Norwegian Suite: Woodwind Quintet Score & Parts

By Edvard Grieg / arr. Kenneth Bray

Level: Medium

Item: 81-WWQ9715

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Description
This is an ideal concert or contest piece. There are four short lyric songs in the suite and all are different in style and mood. Using traditional harmonies and colourful orchestrations, Kenneth Bray has produced a brilliant arrangemens. This piece could be learned and performed by a good high school level quintet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-681-6
ISBN13: 978-1-55472-681-3
UPC: 685462011681
SKU: 81-WWQ9715
Instrumentation: Woodwind Quintet

More about this title

About the Composer: Edvard Grieg

Edvard Grieg shaped the sound of Romantic music by refusing to imitate German symphonic traditions. Instead, he mined Norwegian folk melodies, harmonic language, and dance rhythms to create a distinctly national musical voice that still sounds fresh today. His gift for melody and his understanding of orchestral color made him an ideal composer for arrangers seeking material that sounds rich without requiring large forces.

Why we love this

Bray's arrangement distills Grieg's lyrical genius into a format that high school ensembles can actually succeed with. Four distinct songs give you built-in variety without padding, and the orchestration keeps each voice engaged throughout. Contest judges appreciate music that sounds polished and complete at this level, and this delivers exactly that.

What to expect

Warm, accessible, and genuinely beautiful without being sentimental. Grieg's melodies have immediate appeal, but the harmonic language keeps you interested on repeated hearings. There's a quality of storytelling here, as if each movement reveals a different facet of the Norwegian landscape and spirit.

Who it's for

High school woodwind quintets preparing for festivals, contests, or concert programs. This works for ensembles with solid fundamentals and players comfortable with lyrical ensemble playing. It's equally viable as a showcase piece or as part of a larger pops concert.

How to get the most out of it

  • Balance the melodic lines carefully since each movement emphasizes different instrumental roles; rehearse in pairs to hear when one voice is dominating the texture.
  • Pay attention to Grieg's harmonic surprises, especially chromatic shifts and unexpected chord changes that define the emotional arc of each song.
  • Let the contrasts between movements breathe; resist the urge to rush transitions, which will sharpen the audience's sense that they're hearing four separate pieces.
  • Shape phrases as if they're vocal lines, even in accompaniment parts; Grieg writes for singers' sensibilities, and that musicality transfers to wind instruments.

How to use it

Pair this with other Romantic chamber works for a cohesive concert half, or use it as your festival entry in the mixed chamber category. The four distinct movements also make it effective as an opener or closer, since it establishes the ensemble's musicality without requiring the audience to settle into a long, complex work.

Skills your students will build

  • Balancing independent melodic lines within a small ensemble
  • Shaping Romantic-era phrasing with attention to harmonic tension and resolution
  • Responding to unexpected chromatic harmony and key relationships
  • Maintaining stylistic consistency across four contrasting musical moods
  • Collaborating as equal partners in a quintet texture

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